Jessie Mueller's ' "It Wasn't God Who Made Honky Tonk Angels" was released on its scheduled release date, October 19, 2019. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. It Wasn't God Who Made Honky Tonk Angels's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Patsy & Loretta (Original Motion Picture Soundtrack)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, It Wasn't God Who Made Honky Tonk Angels is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With It Wasn't God Who Made Honky Tonk Angels by Jessie Mueller having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Legally Blonde - Remix | Kate Shindle, Laura Bell Bundy, 'Legally Blonde' Ensemble, Natalie Joy Johnson | A Major | 6 | 11B | 154 BPM | ||
| Something Different | Katrina Lenk, Tony Shalhoub | B Minor | 3 | 10A | 87 BPM | ||
| Pulled | Krysta Rodriguez, Adam Riegler | C Major | 5 | 8B | 125 BPM | ||
| We Look to You | Michael Potts | C Major | 3 | 8B | 135 BPM | ||
| If I Had My Time Again | Barrett Doss, Andy Karl, Groundhog Day The Musical Company, Tim Minchin | B Minor | 7 | 10A | 92 BPM | ||
| Promises | Eva Noblezada, Reeve Carney, Anaïs Mitchell, Hadestown Original Broadway Company | A Major | 3 | 11B | 124 BPM | ||
| As We Stumble Along | Beth Leavel, 'The Drowsy Chaperone' Original Broadway Cast | B♭ Major | 3 | 6B | 118 BPM | ||
| If I Could Tell Her | Ben Platt, Laura Dreyfuss | E Major | 3 | 12B | 96 BPM | ||
| Lifeboat | Kevin Murphy, Laurence O'Keefe, Elle McLemore | F Major | 2 | 7B | 122 BPM | ||
| Fine | Hunter Foster, Lisa Brescia | A Major | 3 | 11B | 181 BPM | ||
| Lost in the Wilderness | Danny Kosarin, Darius deHaas | D Major | 5 | 10B | 112 BPM | ||
| Out There | Patrick Page, Michael Arden | D Minor | 5 | 7A | 98 BPM | ||
| Seventeen | Kevin Murphy, Laurence O'Keefe, Barrett Wilbert Weed, Ryan McCartan | A Major | 2 | 11B | 77 BPM | ||
| Prologue | Original Broadway Company of Natasha, Pierre & the Great Comet of 1812 | E Minor | 4 | 9A | 106 BPM | ||
| Suddenly Seymour | Tammy Blanchard, Jonathan Groff, Little Shop of Horrors Off-Broadway Revival Company | G Major | 4 | 9B | 99 BPM | ||
| On Monday | Betsy Wolfe | C Major | 7 | 8B | 170 BPM | ||
| I Loved You Too Much | Mykal Kilgore | E♭ Major | 1 | 5B | 75 BPM | ||
| Requiem | Laura Dreyfuss, Michael Park, Jennifer Laura Thompson | E Major | 4 | 12B | 80 BPM | ||
| Moments in the Woods | Emily Blunt | D Major | 2 | 10B | 140 BPM | ||
| I Love Play Rehearsal | Stephanie Hsu | F Major | 3 | 7B | 122 BPM | ||
| The Music and the Mirror | Charlotte D'Amboise | E Major | 5 | 12B | 156 BPM | ||
| "Stepsister's Lament" | Ann Harada | C Major | 6 | 8B | 101 BPM | ||
| The Lady's Improving | Beth Leavel | B♭ Major | 5 | 6B | 172 BPM | ||
| All I've Ever Known - Radio Edit | Eva Noblezada, Reeve Carney, Anaïs Mitchell, Hadestown Original Broadway Company | D♭ Major | 3 | 3B | 120 BPM | ||
| Flying Away (Finale) | Beth Malone, Emily Skeggs, Sydney Lucas | A Major | 2 | 11B | 141 BPM |