The Reverse Engineers's ' "Cover Girl" was released on its scheduled release date, 1997. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 6 in Emmett Brown by The Reverse Engineers. Based on our statistics, Cover Girl's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Cover Girl by The Reverse Engineers is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Higher Power | Ray Ceety | A Major | 3 | 11B | 120 BPM | ||
| Believe Deceive | Ray Ceety | G Major | 7 | 9B | 135 BPM | ||
| Placebo | Poems | G Major | 9 | 9B | 94 BPM | ||
| Exciting Love Comes to Town | Lou Black, Erin Frisby | A Major | 5 | 11B | 115 BPM | ||
| We Gotta Stop | Lou Black, Heather Aubrey Lloyd | D Major | 6 | 10B | 105 BPM | ||
| Right Down the Line | Clay Connor | C Major | 9 | 8B | 128 BPM | ||
| My Dear, My Friend | Miron | D♭ Major | 4 | 3B | 137 BPM | ||
| The Past Is Over | Mike LaBianca | B Major | 2 | 1B | 79 BPM | ||
| Someday | Norman Lang | G Major | 9 | 9B | 125 BPM | ||
| Hurdy Gurdy Man | The Parlophonics, Marcella Detroit, Fernando Perdomo, Hugh Macdonald | C Major | 9 | 8B | 148 BPM | ||
| When We Were In Bloom | The Jimmy Dixon Group | B Major | 6 | 1B | 109 BPM | ||
| Hold You Up | Intercom Heights | C Major | 7 | 8B | 120 BPM | ||
| The Rising of the Lights | January Fire | C Major | 8 | 8B | 110 BPM | ||
| Sugar Mama | ElKremso | E Minor | 8 | 9A | 165 BPM | ||
| Any Longer | Leon Long | F♯ Major | 4 | 2B | 150 BPM | ||
| Goodbye Alabama | Bob Spring | D♭ Major | 4 | 3B | 180 BPM | ||
| Wicked Game | The Orphan 40 | G Major | 2 | 9B | 110 BPM | ||
| Keep on Dancing / Let's Have Some Fun | Steve Ashall, Stephen R R Hillier | G Major | 7 | 9B | 135 BPM | ||
| Together We Can Make it Through | The Reverse Engineers | A Major | 8 | 11B | 132 BPM | ||
| Nine Lives | Midlife Priceless | G Major | 5 | 9B | 140 BPM | ||
| Road To Corinth | Hilary Cousins | C Major | 7 | 8B | 102 BPM | ||
| In The Wind | The EMC | B♭ Major | 8 | 6B | 108 BPM | ||
| Don't Let It Drag You Down | Halo Rider | G Major | 7 | 9B | 129 BPM | ||
| Frozen Heart | Adry | F♯ Minor | 8 | 11A | 144 BPM | ||
| I'm the Bad Guy | The Reverse Engineers | C Major | 9 | 8B | 134 BPM |