"Plague Affliction" by Max Lilja had its release date on July 24, 2020. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Plague Affliction's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Othercide (Original Game Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. Plague Affliction is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Plague Affliction by Max Lilja having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sea of Corpses | David García Díaz, Andy LaPlegua | D Minor | 4 | 7A | 120 BPM | ||
| Long Lost Legacy | Kings & Creatures, Brandon Lau | D Major | 8 | 10B | 90 BPM | ||
| Chasing Shadows | Atanas Valkov | D♭ Major | 4 | 3B | 133 BPM | ||
| 15:23 We Can Always Pretend | Danger | A Minor | 5 | 8A | 114 BPM | ||
| Suffering Other | Pierre Le Pape, Anne-Lise Durantel, Dirk Verbeuren | F Minor | 8 | 4A | 112 BPM | ||
| The Lost King's Fortress | Gareth Coker | A Minor | 4 | 8A | 110 BPM | ||
| In Subway | Mikko Tarmia | C Major | 4 | 8B | 100 BPM | ||
| Eredin (Theme from the Witcher 3: Wild Hunt) | Jack Naylor, Marcin Przybyłowicz | D Major | 4 | 10B | 91 BPM | ||
| Reflection | Max Lilja | E Minor | 7 | 9A | 100 BPM | ||
| Pyramid | Brian Tuey | G Major | 3 | 9B | 129 BPM | ||
| The Firehawk Rises | Finishing Move Inc. | A Major | 3 | 11B | 107 BPM | ||
| Survivors of Havenswell | Vanguard Sound, Haloweak | D Major | 9 | 10B | 100 BPM | ||
| Janus | Sascha Dikiciyan | G Major | 6 | 9B | 120 BPM | ||
| The Ivory and the Lovely | Mickymar Productions Ltd | B♭ Major | 1 | 6B | 79 BPM | ||
| Blacksite | Chris D'Ambrosio | D♭ Major | 2 | 3B | 85 BPM | ||
| Six Shades of Bach, Suite 6, Eternity: IV. Sarabande (After J.S. Bach's BWV 1012) | Johann Sebastian Bach, Max Lilja | D Major | 3 | 10B | 120 BPM | ||
| Execution | Path to Nowhere | E Major | 6 | 12B | 170 BPM | ||
| Phrike | Bobby Krlic | F Major | 8 | 7B | 120 BPM | ||
| Dethroned | Gareth Coker | D Major | 4 | 10B | 100 BPM | ||
| Pristine Facade | Pawel Blaszczak | F Minor | 4 | 4A | 150 BPM | ||
| Sacrifice | Robin Lener | D Minor | 8 | 7A | 75 BPM | ||
| Frozen Throne | Punishing Gray Raven, Vanguard Sound, azusaTaxhi | A Minor | 4 | 8A | 110 BPM | ||
| Whispering Meadows | Phase Drift | F Major | 9 | 7B | 164 BPM | ||
| Ao Guang | Brandon Lau | D♭ Minor | 6 | 12A | 140 BPM | ||
| Left Behind | Adam Schneider | D Major | 2 | 10B | 180 BPM |