- BPM
- 121
- Key
- F♯ Minor
- Camelot
- 11A
Dhammapada: Ting-sha by Ronald Corp, Anonymous, Apsara Song Details
On January 1, 2013, the song "Dhammapada: Ting-sha" was released by Ronald Corp, Anonymous, Apsara. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 17 in Corp: dhammapada by Ronald Corp. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Dhammapada: Ting-sha's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
The tempo marking of Dhammapada: Ting-sha by Ronald Corp, Anonymous, Apsara is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -18.413 dB
- Acousticness
- 62%
- Danceability
- 71%
- Energy
- 35%
- Instrumentalness
- 0%
- Liveness
- 41%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 85%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | 2 Elegiac Melodies, Op. 34: No. 2, The Last Spring | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | G Major | 1 | 9B | 122 BPM | |
 | Montgomery Variations: V. One Sunday in the South | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Major | 0 | 10B | 86 BPM | |
 | Mercure: III. Danse de tendresse | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | |
 | Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | |
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | |
 | V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | |
 | A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | |
 | Irish Isles Suite: I. Achill Island | Ailbhe McDonagh, RTE Concert Orchestra, David Brophy | A Minor | 1 | 8A | 72 BPM | |
 | Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | F Major | 0 | 7B | 81 BPM | |
 | Rosary Sonata No. 1 in D Minor "The Annunciation" (Arr. for String Orchestra): I. Praeludium | Heinrich Ignaz Franz von Biber, Joshua Choe | D Minor | 0 | 7A | 77 BPM | |
 | Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo | Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen | E Minor | 2 | 9A | 134 BPM | |
 | Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | |
 | Sibelius: Andante festivo (Orchestral Version) | Jean Sibelius, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 1 | 9B | 169 BPM | |
 | Serenade for Strings in E Minor, Op. 20: II. Larghetto | Edward Elgar, Orpheus Chamber Orchestra | A Minor | 1 | 8A | 109 BPM | |
 | Robin Hood Suite: III. March of the Bowmen | Frederic Curzon, Ronald Corp, New London Orchestra | C Major | 2 | 8B | 117 BPM | |
 | Harvest Hymn | Percy Grainger, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 84 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | |
 | Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | |
 | Suite: I Have a Bonnet Trimmed with Blue | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | F Major | 0 | 7B | 79 BPM | |
 | Dies Natalis, Op.8: 1. Intrada | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 82 BPM | |
 | Symphonic Dances, Op. 64: II. Allegretto grazioso | Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner | A Major | 0 | 11B | 99 BPM | |
 | Serenade for Strings: II. Romance | William Lloyd Webber, Richard Hickox, City of London Sinfonia | D Major | 1 | 10B | 83 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | |
| Tabarinage | Robert Docker, New London Orchestra, Ronald Corp | D Major | 2 | 10B | 145 BPM |
- ISRC
- GBYLM1000091
- Label
- L-M Records/RCA Records