Борис Морозов, Александр Федин, Саша Карпиков, Александр Лазарев, Оркестр Большого театра's 'Снегурочка, действие II: Сцена царя Берендея с Бермятой "Великий царь счастливых берендеев"' had a release date set for November 18, 2014. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in Римский-Корсаков: Снегурочка, so we believe that "Снегурочка, действие II: Сцена царя Берендея с Бермятой "Великий царь счастливых берендеев"" is a single. In terms of popularity, Снегурочка, действие II: Сцена царя Берендея с Бермятой "Великий царь счастливых берендеев" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Снегурочка, действие II: Сцена царя Берендея с Бермятой "Великий царь счастливых берендеев" by Борис Морозов, Александр Федин, Саша Карпиков, Александр Лазарев, Оркестр Большого театра is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lucia di Lammermoor / Act 2: "Ebben? - Di tua speranza" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Minor | 1 | 8A | 174 BPM | ||
| Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo | Gaetano Donizetti, Jessica Pratt, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | D♭ Major | 0 | 3B | 141 BPM | ||
| Spontini: La vestale, Act 2: "Sur cet autel sacré" (Julia) | Gaspare Spontini, Philharmonia Orchestra, Rita Gorr, Lawrance Collingwood | B♭ Minor | 2 | 3A | 138 BPM | ||
| Gounod: Faust, Act 2: "O sainte médaille, qui me viens de ma sœur" (Valentin, Wagner, Siebel, Chœur) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Marc Barrard, Martine Mahé, Thomas Hampson, Orchestre Du Capitole De Toulouse | D♭ Major | 1 | 3B | 103 BPM | ||
| Ruslan and Lyudmila, Act I: No. 3, Finale "O vityazi, skorey vo chisto pole!" | Mikhail Glinka, Tamara Sinyavskaya, Yevgeny Nesterenko, Борис Морозов, Valery Yaroslavtsev, хор Большого театра, Юрий Симонов, Оркестр Большого театра | E♭ Major | 3 | 5B | 85 BPM | ||
| Wagner: Lohengrin, Act 2: "Euch Löften, die mein Klagen" (Elsa, Ortrud, Frederick) | Richard Wagner, Daniel Barenboim, Deborah Polaski, Emily Magee, Falk Struckmann, Staatskapelle Berlin | E Major | 2 | 12B | 91 BPM | ||
| Tosca, Act I: Or lasciami al lavoro | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) | Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | F Minor | 2 | 4A | 81 BPM | ||
| Puccini: Tosca, Act 1 Scene 9: "Ed io venivo a lui tutta dogliosa" (Tosca, Scarpia) | Giacomo Puccini, Maria Callas, Tito Gobbi, Orchestre de la Socit des Concerts du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | ||
| Puccini: Turandot, Act 2: "Olà, Pang! Olà, Pong!" (Ping, Pong, Pang) | Giacomo Puccini, Antonio Pappano, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 1 | 6B | 79 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "Ho, Ho! Wer spek-spektakelt" [Stepmother, Father] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E Major | 1 | 12B | 163 BPM | ||
| Falstaff, Act I: Udrai quanta egli sfoggia | Giuseppe Verdi, Anthony Mee, Thomas Hampson, Anatolij Kotscherga, Enrico Facini, Adrianne Pieczonka, Dorothea Röschmann, Stella Doufexis, Larissa Diadkova, Daniil Shtoda, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| Puccini: Tosca, Act 1: "Tutto è chiaro" - "Tosca? Che non mi veda" - "Mario! Mario!" (Scarpia, Tosca, Sagrestano) | Giacomo Puccini, Maria Callas, Melchiorre Luise, Tito Gobbi, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 111 BPM | ||
| Bizet: La jolie fille de Perth, WD 15, Act 2: Chanson à boire. "Tout boit, amis, dans ce monde" (Duc, Choeur) | Georges Bizet, Georges Prêtre, Choeur de Radio France, Gino Quilico, Nouvel Orchestre Philharmonique | D Minor | 3 | 7A | 62 BPM | ||
| Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
| Rigoletto / Act 2: Mio padre! / Dio! Mia Gilda! | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | D♭ Major | 1 | 3B | 91 BPM | ||
| Elisabetta, regina d'Inghilterra: Non bastan quelle lagrime | Gioachino Rossini, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | D♭ Major | 2 | 3B | 82 BPM | ||
| Die Fledermaus, Act I: Duett. Komm mit mir zum Souper (Eisenstein, Falke) | Johann Strauss II, Friedrich Haider, Paul Armin Edelmann, Miljenko Turk, WDR Rundfunkorchester Köln | F Major | 1 | 7B | 112 BPM | ||
| Lucia di Lammermoor / Act 1: "Tu sei turbato!" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
| Bellini: I puritani: "T’appellan le schiere" (Bruno, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Ruslan and Lyudmila, Act II: No. 7, Scene "Ya ves drozhu" | Mikhail Glinka, Борис Морозов, Галина Борисова, Юрий Симонов, Оркестр Большого театра | B♭ Major | 1 | 6B | 151 BPM | ||
| Lucia di Lammermoor / Act 3: Ohimè! Sorge il tremendo fantasma | Gaetano Donizetti, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | B Major | 3 | 1B | 86 BPM | ||
| Un ballo in maschera, Act I: S'avanza il conte - La rivedrà nell'estasi - Il cenno mio | Giuseppe Verdi, Edita Gruberova, Plácido Domingo, Giovanni Foiani, Ruggero Raimondi, Renato Bruson, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| La pícara molinera, Act II: "Mi locura… Paxarín, tú que vuelas" (Juan) | Pablo Luna, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D♭ Major | 1 | 3B | 68 BPM |