Sally Harmon's 'It Came Upon a Midnight Clear' had a release date set for 1992. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. It Came Upon a Midnight Clear's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 18 in A Cozy Christmas by Sally Harmon. Based on our statistics, It Came Upon a Midnight Clear's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of It Came Upon a Midnight Clear by Sally Harmon is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Melancoly | Renan Napoli | A♭ Major | 0 | 4B | 64 BPM | ||
| All I Ask Of You | Sally Harmon | C Major | 2 | 8B | 77 BPM | ||
| Grayscale | Potravel | E♭ Major | 1 | 5B | 66 BPM | ||
| My Old Abbey | Masako | D Minor | 2 | 7A | 76 BPM | ||
| Summer'S End | Marialy Pacheco, David Jehn, Ingo Höricht | G Major | 2 | 9B | 81 BPM | ||
| Plie 2 4x4 | Jorge L. Martínez | B♭ Major | 2 | 6B | 95 BPM | ||
| For Good (From "Wicked") | Sally Harmon | D♭ Major | 2 | 3B | 77 BPM | ||
| 赤ちゃんとママの深い眠りのジャズ | ジャズ音楽アカデミー, Sleeping Lullabies | F Minor | 0 | 4A | 130 BPM | ||
| Bleak Midwinter | Chris Rolinson | D Minor | 1 | 7A | 118 BPM | ||
| Vlotte jazz | Instrumentale jazzsessies | A Major | 1 | 11B | 174 BPM | ||
| Language the Flowers Spoke | Piano Softly | C Major | 1 | 8B | 111 BPM | ||
| Instrumentale jazz | Instrumentale jazzsessies | A Major | 1 | 11B | 174 BPM | ||
| 鋼琴下的森林芬多精 | 睡眠Smiling Cat | D Major | 1 | 10B | 115 BPM | ||
| La Tarde Más Clara | Luciano Keys | D Major | 1 | 10B | 73 BPM | ||
| Here Comes The Sun | Sally Harmon | A Major | 3 | 11B | 133 BPM | ||
| Headwaters | RJ O Taduran | E Minor | 2 | 9A | 148 BPM | ||
| Shutri | Surisaba | E♭ Major | 1 | 5B | 70 BPM | ||
| I Want To Follow You | Clay Hecocks | D Major | 2 | 10B | 124 BPM | ||
| Bright Eyes | Stephan Schleiner | F Major | 2 | 7B | 140 BPM | ||
| Blush | Michael Straugh | B♭ Major | 1 | 6B | 77 BPM | ||
| Send in the Clowns | Marilyn Byrnes | E♭ Major | 1 | 5B | 83 BPM | ||
| Hard Times Come No More | Anne Trenning, John Magnie | D Major | 1 | 10B | 70 BPM | ||
| Broken Vow | Sally Harmon | D Major | 3 | 10B | 171 BPM | ||
| LR 35 | Lectorium Rosicrucianum | E♭ Major | 2 | 5B | 120 BPM | ||
| Snug as a Bug | Parker Zion | C Minor | 2 | 5A | 165 BPM |