Aruna Lama's ' "Saundarya Hamro" was released on its scheduled release date, July 14, 1996. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Saundarya Hamro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Muna Madan Geeti Natak, Vol. 1" album is number 4 out of 12. On top of that, Norway appears to be the country where this track was created. In terms of popularity, Saundarya Hamro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Saundarya Hamro by Aruna Lama to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Badal Banaideu | Deepak Kharel | D Major | 5 | 10B | 169 BPM | ||
| Chautariko Bisounima | Khem Raj Gurung | A Major | 5 | 11B | 73 BPM | ||
| Fariya Lai Bhuima Latari | Gopal Yonjan | D♭ Major | 9 | 3B | 98 BPM | ||
| E Shahar Pranta | Bhupen Hazarika | B♭ Major | 4 | 6B | 135 BPM | ||
| Chhuttiyera Timi Sanga | Deepak Sharma, Pramod Kharel | D Major | 6 | 10B | 105 BPM | ||
| Mai Chhori Sundari | Bharati Upadhyaya | G Major | 2 | 9B | 90 BPM | ||
| Chhitko Gunyeu | Ram Krishna Dhakal | C Major | 6 | 8B | 174 BPM | ||
| Manparaune Hajar | Ram Krishna Dhakal | C Minor | 5 | 5A | 139 BPM | ||
| Hajar Aankha | Ambar Gurung, Aruna Lama | D♭ Major | 7 | 3B | 142 BPM | ||
| Sanu Maya Mero | Aruna Lama, Geta Datta | F♯ Major | 7 | 2B | 101 BPM | ||
| Bal Garera | Swaroop Raj Acharya | D Major | 8 | 10B | 155 BPM | ||
| Lali Joban | Narayan Rayamajhi, Premraja Mahat, Komal oli | E♭ Major | 4 | 5B | 115 BPM | ||
| Nisthuri Mayalu | Shila Bahadur Moktan, Kunti Moktan | F♯ Major | 5 | 2B | 85 BPM | ||
| Aadhi Bato Hindepachhi | Manila Sotang (Lama), Uday Shotang | A♭ Minor | 6 | 1A | 102 BPM | ||
| Birano Yo Mandir | Yash Kumar | F Major | 5 | 7B | 75 BPM | ||
| Dhardhari Bagne | Jhalakman Gandharva | E♭ Minor | 5 | 2A | 126 BPM | ||
| Dandapari | Kandara Band | D Minor | 9 | 7A | 142 BPM | ||
| Sworgaki Rani | Narayan Gopal | B♭ Major | 4 | 6B | 79 BPM | ||
| Tori Phulyo | Prem Dhoj Pradhan | E Minor | 4 | 9A | 109 BPM | ||
| Euta Manchheko Mayale | Instrumental, Chadani Shah | C Major | 6 | 8B | 177 BPM | ||
| Sapana Bhulai Sara | Natikaji, Yogesh Baidhya | A♭ Major | 6 | 4B | 136 BPM | ||
| Tal Tal Talkine (From "Bir Bikram") | Rajesh Payal Rai, Anila Rai, Tara Prakash Limbu | G Major | 6 | 9B | 80 BPM | ||
| Gailai Charaudai-Paat Bajaune Mayalai | Prem Raja Mahat, Komal oli, Narayan Rayamajhi | C Major | 6 | 8B | 160 BPM | ||
| Yo Mann Le | Yash Kumar | A♭ Major | 6 | 4B | 154 BPM | ||
| Sadhain Jasto | Aruna Lama | E Minor | 7 | 9A | 154 BPM |