"Bittersweet Lament" by Max Anson had its release date on July 22, 2016. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Bittersweet Lament's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Experiment". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Sweden. The popularity of Bittersweet Lament is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Bittersweet Lament by Max Anson having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Billion | Martin Phipps, Benji Merrison | G Minor | 7 | 6A | 90 BPM | ||
| Invisible Hand | HOYO-MiX | G Minor | 7 | 6A | 90 BPM | ||
| Only for Tonight | Ricardo Morjona | F Major | 4 | 7B | 160 BPM | ||
| Thousand | Almira Gokmen, Almira | E Minor | 1 | 9A | 83 BPM | ||
| Spaces in Between | Stephan Bark, Humanix | D♭ Minor | 3 | 12A | 90 BPM | ||
| Danger Sun | Max Anson | D♭ Major | 2 | 3B | 79 BPM | ||
| Intense Thrill | Bonnie Grace | B♭ Minor | 5 | 3A | 127 BPM | ||
| Llegadas Inciertas | Moon Vagrants | B♭ Minor | 4 | 3A | 95 BPM | ||
| Dos deseos | CreadorDrRd | A Minor | 6 | 8A | 176 BPM | ||
| Illusion | Jay Skl | F♯ Major | 1 | 2B | 91 BPM | ||
| There Is No Sequel | Philip Ayers | G Minor | 4 | 6A | 120 BPM | ||
| Cui Prodest | Corpus Dominix | E♭ Minor | 3 | 2A | 91 BPM | ||
| Miracle of Azoth | Ramin Djawadi, Brandon Campbell | A Minor | 6 | 8A | 140 BPM | ||
| Halcyon Rush | Cosmic Drift | B Minor | 4 | 10A | 120 BPM | ||
| Fragments of Time | Arbaz Afridi, Cylix | F♯ Major | 4 | 2B | 150 BPM | ||
| This Is Our Land | Bonnie Grace | D♭ Major | 5 | 3B | 97 BPM | ||
| 名声と富 | HOYO-MiX | G Minor | 7 | 6A | 90 BPM | ||
| The Rupture | Adam Skorupa, Krzysztof Wierzynkiewicz, Michal Cielecki | E Major | 8 | 12B | 120 BPM | ||
| Pumping Veins | Max Anson | C Major | 5 | 8B | 115 BPM | ||
| Cuerpos Intrusos | Moon Vagrants | D♭ Minor | 1 | 12A | 110 BPM | ||
| Cloak | Christoffer Moe Ditlevsen | D Major | 4 | 10B | 90 BPM | ||
| The Night Shift | Stephen Baysted | B♭ Major | 1 | 6B | 115 BPM | ||
| Road to Nowhere | Max Anson | G Major | 3 | 9B | 90 BPM | ||
| Corte Final | Vexel Mode | D Minor | 9 | 7A | 75 BPM | ||
| Rise of the Velcro | Gabriel Lewis | B Minor | 6 | 10A | 110 BPM |