大江裕's 'ダンシング・オールナイト' had a release date set for November 17, 2021. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "TRY〜大江裕 J‐POPを歌う〜". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Japan. Based on our statistics, ダンシング・オールナイト's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With ダンシング・オールナイト by 大江裕 having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 夢の道 | 朝花美穂 | G Major | 8 | 9B | 134 BPM | ||
| 女の荒波 | キム・ヨンジャ | A♭ Major | 5 | 4B | 168 BPM | ||
| 他人妻 | 鶴岡雅義と東京ロマンチカ 三條正人 | E Minor | 4 | 9A | 106 BPM | ||
| めおと浜唄 | 瀬川瑛子 | C Major | 8 | 8B | 144 BPM | ||
| 夕陽の傷あと | 西郷輝彦 | C Major | 4 | 8B | 134 BPM | ||
| フォーエバー東京 | ロス・プリモス | A Minor | 5 | 8A | 101 BPM | ||
| もう言わないで | Shoji Koganezawa | E Major | 5 | 12B | 82 BPM | ||
| 北の防人 | Junko Akimoto | F Minor | 5 | 4A | 177 BPM | ||
| 願・一条戻り橋 | Shoji Koganezawa | F Minor | 9 | 4A | 137 BPM | ||
| おんな港町 | Maiko Takigawa | C Minor | 7 | 5A | 102 BPM | ||
| 駅 | Eisaku Okawa | B♭ Minor | 4 | 3A | 77 BPM | ||
| 千住ブルース | Jiro Atsumi, 梶原あきら | B♭ Minor | 6 | 3A | 121 BPM | ||
| 言いわけ | Keisuke Yamauchi | B Minor | 7 | 10A | 102 BPM | ||
| 浮草の舟 | Kumi Iwamoto | G Major | 6 | 9B | 142 BPM | ||
| あじさい坂 | 平山花羽 | D Major | 5 | 10B | 171 BPM | ||
| 裏町蛍 | Kenta Koori | D Minor | 5 | 7A | 132 BPM | ||
| 男一念 | Teiji Yamazaki | G Major | 6 | 9B | 79 BPM | ||
| すずめ | 絵利菜 | B♭ Major | 5 | 6B | 88 BPM | ||
| 小さなお店をもちました | ロス・プリモス | A Minor | 5 | 8A | 101 BPM | ||
| たまゆら | 長山洋子 | D♭ Minor | 8 | 12A | 123 BPM | ||
| 二人傘 | 瀬口侑希 | A♭ Minor | 5 | 1A | 138 BPM | ||
| 平手造酒 大利根囃子 | Ryotaro Sugi | D♭ Minor | 5 | 12A | 147 BPM | ||
| なんか一丁やったろかい | 大江裕 | C Minor | 7 | 5A | 181 BPM | ||
| 愛が壊れて | Kazuya Iwade | D♭ Minor | 5 | 12A | 117 BPM | ||
| ふたり坂 | Yuuko Mikasa | G Major | 3 | 9B | 144 BPM |