Daniel Pemberton's 'The Good Part (Amsterdam)' had a release date set for October 7, 2022. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. The Good Part (Amsterdam)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 47 in Amsterdam (Original Motion Picture Soundtrack) by Daniel Pemberton. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Good Part (Amsterdam)'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of The Good Part (Amsterdam) by Daniel Pemberton is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rebecca in Amsterdam | Tom Howe | G Major | 1 | 9B | 60 BPM | ||
| Walking The West Wing | W.G. Snuffy Walden | D Major | 1 | 10B | 149 BPM | ||
| The Illusionist | Philip Glass | G Minor | 2 | 6A | 74 BPM | ||
| Orient Express Suite | Patrick Doyle | G Major | 4 | 9B | 82 BPM | ||
| Walk to School | Philip Glass, Paul Leonard-Morgan | A Minor | 0 | 8A | 170 BPM | ||
| Double B | Arthur Simonini | A Minor | 6 | 8A | 120 BPM | ||
| Cornelia and Eli | Federico Jusid | F Minor | 0 | 4A | 81 BPM | ||
| The Adam Project | Rob Simonsen | B♭ Major | 1 | 6B | 72 BPM | ||
| Path to Personal Glory | Jeff Toyne | D Minor | 1 | 7A | 173 BPM | ||
| Strangers on a Plane | Marcus Mumford, Tom Howe | C Major | 5 | 8B | 100 BPM | ||
| Midnight Storm | Rob Simonsen | B♭ Major | 3 | 6B | 85 BPM | ||
| Dall | Alex Weston | A♭ Major | 1 | 4B | 93 BPM | ||
| Coming For Eli Whipp | Federico Jusid | D Major | 0 | 10B | 70 BPM | ||
| Hi Lorraine | Laura Karpman | C Minor | 4 | 5A | 64 BPM | ||
| 92nd time | Yasuhiro Maeda | G Major | 3 | 9B | 77 BPM | ||
| Building The Barn - From "Witness" | Maurice Jarre | A♭ Major | 2 | 4B | 83 BPM | ||
| Kitchen N.Y. | Alberto Iglesias | C Major | 2 | 8B | 73 BPM | ||
| A Lavish Affair | Daniel Pemberton | B♭ Minor | 4 | 3A | 170 BPM | ||
| The Gilded Age (Main Title Theme) | Harry Gregson-Williams, Rupert Gregson-Williams | E♭ Major | 5 | 5B | 90 BPM | ||
| The Song of Names for Violin and Cantor | Howard Shore, Ray Chen, Daniel Mutlu | A Minor | 1 | 8A | 89 BPM | ||
| Maya | Mychael Danna | C Major | 1 | 8B | 111 BPM | ||
| Will He Come | Harry Gregson-Williams, Rupert Gregson-Williams | E Minor | 3 | 9A | 132 BPM | ||
| Les combattantes, Pt. 2 | François Liétout | F Minor | 2 | 4A | 90 BPM | ||
| Gemini | Nick Cave, Warren Ellis | G Major | 3 | 9B | 88 BPM | ||
| Football Is Mostly Life | Marcus Mumford, Tom Howe | G Major | 5 | 9B | 94 BPM |