On 2006, the song "When First I Came to Caledonia" was released by Martin Simpson. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Martin Simpson's "Kind Letters" album is number 10 out of 12. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, When First I Came to Caledonia is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of When First I Came to Caledonia by Martin Simpson to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Abbess | Andy Cutting | C Major | 2 | 8B | 117 BPM | ||
| The Hills of Longdendale | Jack Rutter | B♭ Major | 4 | 6B | 123 BPM | ||
| Louisiana 1927 | Martin Simpson | E Major | 3 | 12B | 149 BPM | ||
| Lowlands Of Holland | Shelley Phillips, Barry Phillips, Martin Simpson | C Major | 1 | 8B | 124 BPM | ||
| The Disquiet | Salt House | G Major | 2 | 9B | 198 BPM | ||
| Hares On The Mountain | Josienne Clarke, Ben Walker | F♯ Minor | 2 | 11A | 120 BPM | ||
| Mother Oak | Adam Holmes | C Major | 1 | 8B | 140 BPM | ||
| Wild and Rocky Shores | Martha Tilston | F♯ Major | 1 | 2B | 147 BPM | ||
| Wexford Lullaby | Jackie Oates | D♭ Major | 1 | 3B | 98 BPM | ||
| Westlin' Winds | Kris Drever, Siobhan Miller | G Major | 3 | 9B | 145 BPM | ||
| The Banks Of The Lee | Arcady | C Minor | 1 | 5A | 108 BPM | ||
| Save the Bees | Lau | F♯ Minor | 5 | 11A | 128 BPM | ||
| Cornerstone | Karine Polwart, Steven Polwart, Inge Thomson | D Minor | 5 | 7A | 76 BPM | ||
| Twa Sisters | Emily Smith | D Major | 6 | 10B | 132 BPM | ||
| The Elfin Knight | Norma Waterson, Eliza Carthy, The Gift Band | G Major | 3 | 9B | 81 BPM | ||
| Mary And The Soldier | Andy Irvine, Paul Brady, Dónal Lunny, Kevin Burke | A♭ Major | 5 | 4B | 82 BPM | ||
| Oh England What Seeds | Nancy Kerr | E Major | 3 | 12B | 115 BPM | ||
| 'Ouses, 'Ouses, 'Ouses | The Imagined Village | D♭ Minor | 5 | 12A | 162 BPM | ||
| Follow The Heron | Karine Polwart | A Major | 3 | 11B | 126 BPM | ||
| The Times They Are A-Changin' | Martin Simpson | D Major | 4 | 10B | 79 BPM | ||
| Raggle Taggle Gipsies | Waterson:Carthy | B♭ Major | 5 | 6B | 127 BPM | ||
| When You Were Born / Rawling's March / March to Prague | Melrose Quartet | E Major | 0 | 12B | 97 BPM | ||
| Awake Awake | The Full English | F♯ Minor | 2 | 11A | 77 BPM | ||
| Heron | Spell Songs, Seckou Keita | F♯ Major | 4 | 2B | 97 BPM | ||
| River Redds | Salt House | D Major | 3 | 10B | 140 BPM |