"We'll Find Her" by Adam Taylor had its release date on September 14, 2018. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Adam Taylor's "I Think We're Alone Now (Original Motion Picture Soundtrack)" album is number 10 out of 16. On top of that, United States appears to be the country where this track was created. Based on our statistics, We'll Find Her's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of We'll Find Her by Adam Taylor to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Moved! | David Hirschfelder | B♭ Major | 2 | 6B | 92 BPM | ||
| The Trial of Solomon Grundy | Mark Isham | G Minor | 1 | 6A | 67 BPM | ||
| Into Infinity | Adam Taylor | D♭ Minor | 1 | 12A | 100 BPM | ||
| See You Again | Mychael Danna | E Major | 1 | 12B | 96 BPM | ||
| Mary and Edward | Rupert Gregson-Williams | F Major | 0 | 7B | 136 BPM | ||
| I Lived Here | Martin Phipps | A Minor | 1 | 8A | 96 BPM | ||
| The Vanished Elephant - Main Theme | Selma Mutal | C Minor | 2 | 5A | 81 BPM | ||
| Where We Met | Immediate | B♭ Major | 3 | 6B | 138 BPM | ||
| He's Alive | Adam Taylor | B♭ Major | 3 | 6B | 153 BPM | ||
| Summer - From “Girl” Original Motion Picture Soundtrack | Valentin Hadjadj | E♭ Minor | 0 | 2A | 73 BPM | ||
| Johanna & Rachel | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| Death Is Only A Door | Tom Tykwer, Johnny Klimek, Reinhold Heil, MDR Rundfunkchor, MDR Leipzig Radio Symphony Orchestra, Kristjan Järvi | E♭ Minor | 2 | 2A | 145 BPM | ||
| Cape of Storms | Kevin Smuts | B Major | 1 | 1B | 75 BPM | ||
| On 100 (feat. Adam Taylor & Big Bone) | The Boneface, Adam Taylor, Big Bone | F♯ Minor | 7 | 11A | 137 BPM | ||
| It's Happening | Adam Taylor | C Major | 0 | 8B | 86 BPM | ||
| Utopia | Cylis | C Major | 1 | 8B | 57 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Mantra (ASOT 950 - Part 2) | Sean Tyas, James Kitcher, Adam Taylor | A♭ Minor | 10 | 1A | 138 BPM | ||
| Tilden | Danny Bensi, Saunder Jurriaans | F Major | 1 | 7B | 103 BPM | ||
| Opening | Craig Armstrong | D Minor | 2 | 7A | 91 BPM | ||
| Manchester Minimalist Piano and Strings | Lesley Barber | E♭ Major | 0 | 5B | 147 BPM | ||
| Resolution / The Girl On The Train - Main Titles | Danny Elfman | D Minor | 1 | 7A | 134 BPM | ||
| Montage | Fernando Velázquez | A Major | 0 | 11B | 68 BPM | ||
| Romance Suite (From the Motion Picture "Promising Young Woman") | Anthony Willis | E Major | 1 | 12B | 70 BPM | ||
| Bicycle | Benjamin Wallfisch | D♭ Minor | 3 | 12A | 83 BPM |