John C. Williams's ' "El Colibri" was released on its scheduled release date, 1974. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Spanish Guitar Music". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. El Colibri is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With El Colibri by John C. Williams having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Marabino | Antonio Lauro, Adam Holzman | A Major | 1 | 11B | 102 BPM | ||
| Zambra Granadina | Isaac Albéniz, David Russell | D Major | 1 | 10B | 68 BPM | ||
| Homanaje | John C. Williams | A Minor | 0 | 8A | 93 BPM | ||
| Mazurkas, Op. 59: No. 3 in F-Sharp Minor | Frédéric Chopin, John C. Williams, Béla Fleck | A Minor | 3 | 8A | 131 BPM | ||
| Fandanguillo, Op. 36 | Joaquín Turina, Simon Dinnigan | A Minor | 0 | 8A | 81 BPM | ||
| Guitar Suite: II. — | Jason Carter | F♯ Minor | 1 | 11A | 93 BPM | ||
| El Carnaval | Horacio Salinas, John C. Williams, Paco Peña, Inti-Illimani | E Minor | 4 | 9A | 96 BPM | ||
| Cancion | Aldo Rodríguez, Marco Tamayo | A Minor | 0 | 8A | 111 BPM | ||
| Bardenklange, Op. 13: Elfenreigen (Dance of the Elves) | Johann Kaspar Mertz, Adam Holzman | D Major | 1 | 10B | 84 BPM | ||
| Castillos de España II: No. 3, Alcaniz | Federico Moreno Torroba, Ana Vidović | D Major | 0 | 10B | 141 BPM | ||
| 5 Bagatelles: III. Alla Cubana | William Walton, Ana Vidović | B Minor | 1 | 10A | 74 BPM | ||
| Five Pieces: Cántico | Vicente Emilio Sojo, John C. Williams | E Minor | 1 | 9A | 72 BPM | ||
| 3 Piezas espanolas (3 Spanish Pieces): No. 3. Zapateado | Jérémy Jouve | A Major | 1 | 11B | 117 BPM | ||
| Songe Capricorne | Roland Dyens, Elena Papandreou | B Minor | 0 | 10A | 81 BPM | ||
| Prelude from First Cello Suite - J.S. Bach | Robert Westaway | D Major | 3 | 10B | 112 BPM | ||
| The Girl With The Flaxen Hair | Marshall (Arr.), Claude Debussy, Christopher Parkening | E Minor | 0 | 9A | 87 BPM | ||
| Danza Española No. 1 | Manuel de Falla, Julian Bream, John Williams | E Minor | 2 | 9A | 98 BPM | ||
| Lute Suite No. 2 in C Minor, BWV 997: III. Sarabande | Johann Sebastian Bach, John Williams | E Minor | 3 | 9A | 91 BPM | ||
| Andante No. 1, Op. 320 | Ferdinando Carulli, Flavio Cucchi | A Minor | 0 | 8A | 147 BPM | ||
| Recuerdo de la Alhambra | Manuel Cuvedo | A Major | 4 | 11B | 180 BPM | ||
| Bardenklange, Op. 13: Lied ohne Worte (Song without Words) | Johann Kaspar Mertz, Adam Holzman | A Major | 0 | 11B | 86 BPM | ||
| Quirpa Guatireña | Vicente Emilio Sojo, John Williams | D Major | 4 | 10B | 90 BPM | ||
| Por Granainas | Niño Ricardo | E♭ Major | 4 | 5B | 93 BPM | ||
| Dance from La Vida Breve | John Williams | D Minor | 2 | 7A | 107 BPM | ||
| Sunburst | John C. Williams | D Major | 2 | 10B | 154 BPM |