"The Roots of Coincidence" by Pat Metheny Group had its release date on January 1, 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Pat Metheny Group's "Imaginary Day" album is number 7 out of 9. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Roots of Coincidence's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Roots of Coincidence by Pat Metheny Group to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Total Eclipse | Billy Cobham | D♭ Major | 6 | 3B | 100 BPM | ||
| Lymaks | FORQ | D♭ Major | 6 | 3B | 106 BPM | ||
| Impression V | Lunatic Soul | F♯ Minor | 6 | 11A | 92 BPM | ||
| Coven | Snarky Puppy | A♭ Minor | 5 | 1A | 130 BPM | ||
| One of a Kind - Pt.2 | Bruford | A Major | 5 | 11B | 130 BPM | ||
| Serendipity | Tal Wilkenfeld | G Major | 9 | 9B | 115 BPM | ||
| Modul 29_14 | Nik Bärtsch | F♯ Major | 4 | 2B | 196 BPM | ||
| Herandu | Weather Report | F Major | 7 | 7B | 145 BPM | ||
| Apocalypso | Dave Weckl, Jay Oliver | F Minor | 9 | 4A | 118 BPM | ||
| Triptych | Jojo Mayer, Nerve | D♭ Major | 8 | 3B | 178 BPM | ||
| Matinee Idol | Yellowjackets | C Major | 6 | 8B | 109 BPM | ||
| The Abingdon Chasp | Bruford | D Major | 8 | 10B | 131 BPM | ||
| The Black Page #1 | Frank Zappa | E Minor | 8 | 9A | 98 BPM | ||
| Muttersprache | Gordian Knot | E Minor | 7 | 9A | 120 BPM | ||
| Seven Days of Falling | Esbjörn Svensson Trio | B♭ Minor | 2 | 3A | 114 BPM | ||
| Ara Resurrected | Tigran Hamasyan | C Minor | 5 | 5A | 111 BPM | ||
| The Power To Believe (Pt. II) | King Crimson | E Minor | 3 | 9A | 104 BPM | ||
| It's Almost Gone | Yellowjackets | F♯ Minor | 4 | 11A | 108 BPM | ||
| Outlier | Snarky Puppy | F♯ Major | 7 | 2B | 76 BPM | ||
| Black Is The Color Of My True Love's Hair | Traditional, Marc Johnson, Bill Frisell, John Scofield, Peter Erskine | A♭ Minor | 0 | 1A | 83 BPM | ||
| We Are Not Alone | Frank Zappa | D♭ Minor | 9 | 12A | 103 BPM | ||
| Elektric City | Chick Corea Elektric Band, Chick Corea, Dave Weckl, John Patitucci | F Minor | 6 | 4A | 103 BPM | ||
| Alaskan Suite: Ascent | Lyle Mays | F♯ Major | 4 | 2B | 72 BPM | ||
| The Sheltering Sky | King Crimson | B Minor | 4 | 10A | 185 BPM | ||
| Trains | Steps Ahead | B♭ Major | 8 | 6B | 130 BPM |