Raphael Fays's ' "La Perra Rápida - Bulérias" was released on its scheduled release date, November 1, 2018. This song is quite longer than the average track at 5 minutes and 44 seconds. With that being said, this track is also considered explicit and may be offensive to some people. There are a total of 10 in the song's album "Paris Séville, bois de guitare (Madera de Guitarra)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Based on our statistics, La Perra Rápida - Bulérias's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La Perra Rápida - Bulérias by Raphael Fays having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Ombres du Bal Perdu | Quintette du Hot Club de France, Ensemble de Jazz Manouche, Tchan-Tchou Vidal, Dorado Schmitt | B Minor | 3 | 10A | 128 BPM | ||
| Monte Gurugú | Rafael Riqueni | E Major | 5 | 12B | 94 BPM | ||
| It's Time | Django Club, Richard Manetti, Fiona Monbet, Sebastien Giniaux, Adrien Moignard | A Minor | 7 | 8A | 146 BPM | ||
| Csardas De Monti | Angelo DeBarre, Serge Camps, Frank Anastasio | E Minor | 3 | 9A | 79 BPM | ||
| Olé Léo | Les doigts de l'homme | B Minor | 2 | 10A | 180 BPM | ||
| Zalameria | Rafa El Tachuela, Pablo Carcamo, La Moraima, Hossam Ramzy | F♯ Minor | 6 | 11A | 90 BPM | ||
| On the Sunny Side of the Street | De Piotto's | A Minor | 3 | 8A | 118 BPM | ||
| Amorios | JC FLOE | D Minor | 9 | 7A | 180 BPM | ||
| Tango El Choclo for Gypsy Guitar and Violin | Andrei Krylov | F Major | 4 | 7B | 114 BPM | ||
| La Laguna (Alegria) | The New York Flamenco Jazz Project | A Major | 4 | 11B | 154 BPM | ||
| Nouvelle Vie | Ninine Garcia Quintet | F Major | 3 | 7B | 98 BPM | ||
| Madera Negra | Niño Josele | A♭ Major | 6 | 4B | 176 BPM | ||
| Swing for Ninine | Jimmy Rosenberg | D Minor | 4 | 7A | 108 BPM | ||
| Augusto Caliente | Los Principes del Flamenco | E Minor | 6 | 9A | 85 BPM | ||
| After You've Gone | Angelo DeBarre, Serge Camps, Frank Anastasio | E Minor | 4 | 9A | 152 BPM | ||
| Emiko | Kevin Laliberté | B Minor | 8 | 10A | 110 BPM | ||
| Campos De San Gregorio | Vicente Amigo Girol, Vicente Amigo | B Minor | 8 | 10A | 122 BPM | ||
| Paz Flamenca | Antonio Martinez Cortés | A♭ Minor | 5 | 1A | 100 BPM | ||
| Samoreau | London Django Collective, Harry Diplock, Matt Holborn | D♭ Major | 5 | 3B | 145 BPM | ||
| Bulerias | Sabicas | F♯ Major | 4 | 2B | 128 BPM | ||
| Armando's Rumba | The Hot Club Of San Francisco | A♭ Major | 3 | 4B | 120 BPM | ||
| A Mandeli | Pepe Habichuela | E Major | 5 | 12B | 114 BPM | ||
| Minor Swing | Les doigts de l'homme | A Major | 5 | 11B | 110 BPM | ||
| L'ami Luko | Raphael Fays, Claude Mouton, Laurent Bajata | A Minor | 2 | 8A | 141 BPM | ||
| Le vieux tsigane | Angelo DeBarre, Antonio Licusati, Tchavolo Hassan | E Minor | 4 | 9A | 94 BPM |