"Phone Calls" by Uèle Lamore had its release date on December 16, 2022. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "The Apology (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Phone Calls's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Phone Calls by Uèle Lamore having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Whispers (Hybrid) | Jim Perkins | A Minor | 2 | 8A | 68 BPM | ||
| Lightwell | Margaret Hermant, Mari Samuelsen, Fabien Leseure, Scoring Berlin, Jonathan Stockhammer | C Minor | 5 | 5A | 122 BPM | ||
| For Better Waters | Snorri Hallgrímsson | A Major | 0 | 11B | 89 BPM | ||
| The Confession | Uèle Lamore | B Minor | 6 | 10A | 120 BPM | ||
| Drifting Days | Laurent Dury, JUSTEMENT MUSIC | A Minor | 1 | 8A | 86 BPM | ||
| Leva - Transformer Session | Henrik Lindstrand, Halvcirkel | C Major | 0 | 8B | 176 BPM | ||
| Stair Echoes | Alexandra Hamilton-Ayres, Her Ensemble | E Major | 2 | 12B | 171 BPM | ||
| Phenomenal Women | Macha Gharibian | C Major | 4 | 8B | 132 BPM | ||
| Islandus: Flora II “The Lily” | Gabríel Ólafs, Reykjavík Orkestra, Viktor Orri Árnason | G Major | 1 | 9B | 84 BPM | ||
| Canopy | John Metcalfe | F Major | 4 | 7B | 120 BPM | ||
| Something about us | Uèle Lamore | E Minor | 6 | 9A | 110 BPM | ||
| Lifeform | Alexandra Hamilton-Ayres | G Minor | 2 | 6A | 140 BPM | ||
| III {serenade} | Simon Leoza | E♭ Major | 0 | 5B | 86 BPM | ||
| Ithaki | Laura Masotto, Hior Chronik | D Minor | 2 | 7A | 123 BPM | ||
| Last Thursday | Michael Torke, Siwoo Kim, East Coast Chamber Orchestra | G Major | 2 | 9B | 172 BPM | ||
| My Song Wasn't Over | ToBeContinued | E Major | 1 | 12B | 158 BPM | ||
| Misty Waters | Calyx Varo | E♭ Minor | 2 | 2A | 125 BPM | ||
| Slow Breeze | Therin Vo | D♭ Minor | 4 | 12A | 194 BPM | ||
| LA PALMA | DENNIS MATEIS, Giovanni José Déniz Betancort, Olivia Virve Pehme, José María Cuadra Pérez, Mónica Chirino Landraud, Tinguaro Fierro Díaz | G Major | 3 | 9B | 116 BPM | ||
| Entrance (Traveler’s Log 01) / Whale Overture | Gabríel Ólafs, Hera Hilmar | F♯ Major | 1 | 2B | 65 BPM | ||
| Light Shapes | Vexa Lune | E♭ Minor | 6 | 2A | 113 BPM | ||
| Beregi - Cinematic Version | Dmitry Evgrafov | F Major | 2 | 7B | 142 BPM | ||
| Sept Douleurs | Alexandra Hamilton-Ayres, Her Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Last Night | Michael Torke, Siwoo Kim, East Coast Chamber Orchestra | C Major | 2 | 8B | 135 BPM | ||
| The Farewell - Voiceless | Gabríel Ólafs | E Major | 0 | 12B | 61 BPM |