"Tape Overture" by Michael Price had its release date on April 13, 2015. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 9 in Entanglement by Michael Price. Tape Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tape Overture by Michael Price is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| "One Small Fact" | John Williams | A♭ Minor | 1 | 1A | 131 BPM | ||
| Keyhouse | Torin Borrowdale | A♭ Minor | 1 | 1A | 191 BPM | ||
| The Attachment | Michael Price | C Minor | 2 | 5A | 67 BPM | ||
| Call You | Michael Price | C Minor | 1 | 5A | 145 BPM | ||
| A Matter of Going | Joe Kraemer | G Major | 0 | 9B | 127 BPM | ||
| And Then There Were None | Stuart Earl | C Minor | 4 | 5A | 87 BPM | ||
| Coronation | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 4 | 8B | 87 BPM | ||
| Suspects | Ólafur Arnalds | E♭ Minor | 3 | 2A | 145 BPM | ||
| Practice and Policy | Howard Shore | D Minor | 3 | 7A | 112 BPM | ||
| Build a Bomb | Harry Gregson-Williams | D♭ Major | 2 | 3B | 160 BPM | ||
| Is This What You Wanted? | Joel P West | A Major | 3 | 11B | 91 BPM | ||
| Streets of Paris | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker | C Major | 3 | 8B | 65 BPM | ||
| When We Are Recombined | Michael Price | C Major | 0 | 8B | 141 BPM | ||
| Deceit | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Prisoners | Jóhann Jóhannsson | C Minor | 2 | 5A | 89 BPM | ||
| The Dressmaker Closing Credits | David Hirschfelder | D Minor | 1 | 7A | 74 BPM | ||
| The Fates of All Heroes | Mark Isham, Michael D. Simon | A Major | 3 | 11B | 121 BPM | ||
| The Thrombey Family Theme (Solo Piano) | Nathan Johnson | C Minor | 0 | 5A | 101 BPM | ||
| Ender's War | Steve Jablonsky | A♭ Major | 2 | 4B | 170 BPM | ||
| Toast to a Kingsman | Henry Jackman, Matthew Margeson | A Minor | 1 | 8A | 63 BPM | ||
| A Darker Rain | Michael Price | D Major | 0 | 10B | 118 BPM | ||
| Forbidden Love | Abel Korzeniowski | B Minor | 3 | 10A | 129 BPM | ||
| On the Eve of Harlan's Demise | Nathan Johnson | D Major | 1 | 10B | 88 BPM | ||
| Where Is Winston? | Dario Marianelli, Víkingur Ólafsson | G Major | 7 | 9B | 104 BPM | ||
| Wayward Sisters | Abel Korzeniowski | F♯ Minor | 4 | 11A | 98 BPM |