On 2011, the song "Suite No. 3 in D Major: La Eynaud" was released by Antoine Forqueray, Michael Borgstede. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Suite No. 3 in D Major: La Eynaud's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 32 in Forqueray: Works for Harpsichord by Antoine Forqueray, Michael Borgstede. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Suite No. 3 in D Major: La Eynaud is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Suite No. 3 in D Major: La Eynaud by Antoine Forqueray, Michael Borgstede is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasia Basso solo | Bartolomeo de Selma, Sylvain Bergeron, Margaret Little | A Minor | 1 | 8A | 77 BPM | ||
| Canzona prima a basso solo, "detta l'altera" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 148 BPM | ||
| Salve primer tono por de la sol re - Version for Consort of 4 Viols | Sebastián Aguilera de Heredia, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | N/A | N/A | N/A | 0 BPM | ||
| Io veggio i campi verdeggiar fecondi | Francesca Caccini, Shannon Mercer, Luc Beauséjour, Sylvain Bergeron, Amanda Keesmaat | F Major | 0 | 7B | 72 BPM | ||
| Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | ||
| Sonata settima a doi violini | Giovanni Battista Fontana, William Christie, Les Arts Florissants | E Major | 3 | 12B | 98 BPM | ||
| Concerto No. 2 in G Minor, Op. 3: I. Largo e staccato - Allegro | Francesco Geminiani, Accademia Bizantina, Ottavio Dantone, Alessandro Tampieri | D♭ Minor | 1 | 12A | 141 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Clavos pedum, plagas duras" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Hanna Bayodi | C Minor | 2 | 5A | 90 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Ouverture-Suite in B Minor, TWV 55:h4: VI. Menuet I - VII. Menuet II | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck | D♭ Major | 1 | 3B | 76 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VI. Allmandt | Dietrich Becker, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | D♭ Major | 2 | 3B | 79 BPM | ||
| Suite En Si Mineur: Tombeau Pour Mons.r De Lully, II.95 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | B♭ Minor | 1 | 3A | 87 BPM | ||
| Troisième livre: La Forqueray | Jacques Duphly, Christophe Rousset | E Minor | 5 | 9A | 105 BPM | ||
| Grande Pièce royale, que le Roi demandait souvent | Michel Richard Delalande, Vincent Dumestre, Le Poème Harmonique | F Minor | 2 | 4A | 123 BPM | ||
| An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 120 BPM | ||
| Canzona seconda a canto solo "detta la Bernardinia" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 2 | 8A | 82 BPM | ||
| Couperin, L: Suite en si: II. Allemande, G. 115 | Louis Couperin, Jean Rondeau | A Minor | 3 | 8A | 58 BPM | ||
| Corrente Italiana | Juan Cabanilles, Le Poème Harmonique, Vincent Dumestre | E♭ Major | 2 | 5B | 122 BPM | ||
| Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM | ||
| Oboe Concerto in G Minor, HWV 287: I. Grave | George Frideric Handel, Musica Gloria, Beniamino Paganini, Nele Vertommen, Evan Buttar, Elise Dupont, Giulio Quirici, Lena Rademann, Daria Spiridonova | E Major | 3 | 12B | 122 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Pièces De Viole - 1Ere Suite. La Couperin | Jordi Savall, Antoine Forqueray | F♯ Major | 0 | 2B | 118 BPM | ||
| Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | ||
| Now Does the Glorious Day Appear, Z. 332 "Ode for Queen Mary's Birthday": No. 7, By Beauteous Softness | Henry Purcell, Paul-Antoine Benos-Djian, Le Consort | D♭ Minor | 0 | 12A | 71 BPM | ||
| Sonata for Flute and Violin, Op. 51 No. 2: IV. Gigha - Performed on Recorder | Joseph Bodin de Boismortier, Lucie Horsch, Rachel Podger | E♭ Major | 0 | 5B | 72 BPM |