On 2002, the song "Jerusalem - Part 2" was released by William Blake. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Listen To Britain" album is number 46 out of 46. In terms of popularity, Jerusalem - Part 2 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Jerusalem - Part 2 by William Blake to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| From William Blake's Poetry, Op. 53, 1978, The Garden Of Love | Øistein Sommerfeldt, William Blake, Svein Bjørkøy, Ivar Anton Waagaard | E Minor | 0 | 9A | 87 BPM | ||
| Nunc dimittis in C | Charles Villiers Stanford, The King's Consort, Robert King | B♭ Major | 1 | 6B | 82 BPM | ||
| Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Stopping by Woods on a Snowy Evening | Rebecca Dale, Robert Frost, Tenebrae, Nigel Short | D Minor | 1 | 7A | 79 BPM | ||
| Mass for Double Choir: Credo | Frank Martin, Mikaeli Chamber Choir, Anders Eby | G Major | 0 | 9B | 130 BPM | ||
| With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
| I Have Never Loved Someone: I Have Never Loved Someone (Arr. for Choir by Nate Thacher) | Shara Nova, Conspirare, Craig Hella Johnson | E Major | 1 | 12B | 175 BPM | ||
| Diptych: II. Testament | Valentin Silvestrov, Ieva Ezeriete, Kārlis Rūtentāls, Agate Burkina, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 80 BPM | ||
| As Joseph Was a-Walking | Margaret Rizza, Kevin Mayhew Ltd | D Minor | 1 | 7A | 99 BPM | ||
| The Garden of Love | Christos Alexopoulos, William Blake | E Minor | 0 | 9A | 43 BPM | ||
| Lullaby "My Sweet Little Baby", T. 242 | William Byrd, The Gesualdo Six, Owain Park | A♭ Minor | 0 | 1A | 95 BPM | ||
| Son of God Mass: Gloria | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Minor | 1 | 9A | 68 BPM | ||
| All-night Vigil, Op. 37: No. 8, Praise the Name of the Lord | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | A♭ Major | 1 | 4B | 89 BPM | ||
| Songs of Innocence: X. A Cradle Song (Text by William Blake) | Nicholas White, William Blake, The Raven Consort | D Minor | 1 | 7A | 136 BPM | ||
| The Call (From 'Five Mystical Songs') (Arr. Harry D Bennett) | Ralph Vaughan Williams, Apollo5 | F Minor | 0 | 4A | 73 BPM | ||
| Ten Songs of Experience for mixed choir a cappella: The Clod & The Pebble | William Blake, Goeyvaerts Consort, Els Crommen, Marc Legros, Bart Meynckens, Marc Michael de Smet | C Major | 0 | 8B | 81 BPM | ||
| Three Quotes for Mixed Choir, Op. 59: I. Ingen fågel flyger för högt (No Bird Soars Too High) | Lars-Erik Larsson, William Blake, Royal College of Music Chamber Choir, Eric Ericson | G Major | 1 | 9B | 101 BPM | ||
| The Tyger | Emil Råberg, Erik Westberg Vocal Ensemble, Virve Karen, Erik Westberg | F Minor | 0 | 4A | 143 BPM | ||
| Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
| Track 9 - Songs of Innocence and of Experience | William Blake, Tim Bruce | D♭ Major | 2 | 3B | 81 BPM | ||
| Messa di Requiem: Requiem | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 81 BPM | ||
| Requiem, Op. 9: IX. In paradisum | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | G Minor | 1 | 6A | 75 BPM | ||
| Vasara (Summer) | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Minor | 1 | 8A | 69 BPM | ||
| Le Jardin Féerique | Maurice Ravel, Laurence Equilbey, Accentus | C Major | 1 | 8B | 137 BPM | ||
| Tre citat, Op. 59: I. Ingen fågel flyger för högt | Lars-Erik Larsson, William Blake, Pigor och drängar, Stefan Parkman | B♭ Major | 2 | 6B | 92 BPM |