Rabindranath Tagore's 'Badal Diner - Instrumental' had a release date set for December 2, 2006. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Badal Diner - Instrumental's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Tagores in Symphony the Seasons of India". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Based on our statistics, Badal Diner - Instrumental's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Badal Diner - Instrumental by Rabindranath Tagore having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bare Bare Aar Aasa Hobena | Kartik Das Baul | D Major | 5 | 10B | 168 BPM | ||
| Na na jeyo na (From Bhootchakra Pvt Ltd) | Somlata | F Major | 5 | 7B | 90 BPM | ||
| Sundari Go Dohai Dohai | Manna Dey | A Major | 4 | 11B | 90 BPM | ||
| Gaan Tumi Hao | Kabir Suman | B Minor | 1 | 10A | 125 BPM | ||
| Brindabano Bilasini Rai | Lopamudra Mitra | B Major | 4 | 1B | 147 BPM | ||
| Bohe Nirantaro | Srabani Roy, Rabindranath Tagore | A Major | 1 | 11B | 111 BPM | ||
| Madhyadine Jobe Gaan - Instrumental | Rabindranath Tagore | D Major | 1 | 10B | 109 BPM | ||
| Lukaley Boley - From "Sesh Rokkha" | Sayantani Ghosh, Rabindranath Tagore | A Major | 2 | 11B | 140 BPM | ||
| Boyosh 27 | Sanjeeb Choudhury | D♭ Major | 5 | 3B | 138 BPM | ||
| Baje Go Beena | Manna Dey, Salil Chowdhury | A Major | 5 | 11B | 82 BPM | ||
| Eso Pranbharan | Arundhati Holme Chowdhury, Bitu Samajpati | E♭ Minor | 2 | 2A | 90 BPM | ||
| Nil Digante | Rabindranath Tagore | B♭ Minor | 3 | 3A | 121 BPM | ||
| Nickname | Nilanjan Ghosal, Tarishi Mukherjee | B♭ Minor | 4 | 3A | 100 BPM | ||
| Ei Prithibir Gaan | Pralay Sarkar, Anirban Dasgupta - RIJU | F Major | 1 | 7B | 83 BPM | ||
| Jodi Kichhu Amare Shudhao | Shyamal Mitra | D♭ Major | 3 | 3B | 140 BPM | ||
| Fyan Bhaat | Chirkut, Chakropani Dev, Shreemoyee Goswami, Subham Mitra | D Major | 3 | 10B | 136 BPM | ||
| Ei Chhotto Chhotto Paye | Aarti Mukherji, Pratima Banerjee | C Minor | 4 | 5A | 143 BPM | ||
| Bare Bare Aar Asha Hobena - Unplugged | Fakira | A♭ Major | 7 | 4B | 172 BPM | ||
| Majhe Majhe Tobo | Rabindranath Tagore, Kajol Chatterjee, Jakiruddin Khan | F♯ Minor | 2 | 11A | 130 BPM | ||
| O Shyama | Satyaki Banerjee, Avishek Saha | F Major | 6 | 7B | 80 BPM | ||
| Amar Kyabla Kating Hasi | Saikat Bandyopadhyay | D Major | 2 | 10B | 119 BPM | ||
| Pratidhwani Shuni | Bhupen Hazarika | F♯ Major | 4 | 2B | 104 BPM | ||
| Kahan Sang (Female) | Rekha Bhardwaj | B Major | 2 | 1B | 108 BPM | ||
| E Ki Labonye Purnyo Pran - Rabindra Sangeet | Sounak Chattopadhyay, Rabindranath Tagore | C Major | 2 | 8B | 180 BPM | ||
| Valo Achi Valo Theko (ভালো আছি ভালো থেকো) | Saif Zohan | G Major | 3 | 9B | 133 BPM |