- BPM
- 144
- Key
- G Minor
- Camelot
- 6A
The Rat Fight by Angela Morley Song Details
On 1978, the song "The Rat Fight" was released by Angela Morley. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Watership Down (Original Motion Picture Soundtrack) by Angela Morley. The song's track number on the album is #7 out of 16 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, The Rat Fight's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
Since The Rat Fight by Angela Morley has a tempo of 144 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Rat Fight being at 144 BPM, the half-time would be 72 BPM with a double-time of 288 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
Music Key
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -15.196 dB
- Acousticness
- 63%
- Danceability
- 60%
- Energy
- 47%
- Instrumentalness
- 93%
- Liveness
- 41%
- Loudness
- 75%
- Speechiness
- 5%
- Valence
- 95%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rest Easy | Paul Mottram | C Major | 2 | 8B | 76 BPM | |
 | Lyric for Strings | George Walker, Cleveland Chamber Symphony, Gregory Walker, Edwin London | F♯ Major | 0 | 2B | 77 BPM | |
 | Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | And Birds Are Still . . ., Op. 72 | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata | G Major | 1 | 9B | 75 BPM | |
 | Arte Profundo | Sirenas Celestiales | D Major | 2 | 10B | 85 BPM | |
 | 4 Lieder, Op. 82, B. 157: I. Lasst mich allein. Andante (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists, Otto Tolonen | B Major | 0 | 1B | 140 BPM | |
 | Fantasia on a Theme by Thomas Tallis | Ralph Vaughan Williams, Iona Brown, Trevor Connah, Stephen Shingles, Kenneth Heath, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 94 BPM | |
 | Serenade for Strings: II. Romance | William Lloyd Webber, Richard Hickox, City of London Sinfonia | D Major | 1 | 10B | 83 BPM | |
 | 2 Pieces for Small Orchestra, RT VI/19: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, John Rutter, Manchester Camerata | E Minor | 1 | 9A | 80 BPM | |
 | The Moon | William Lloyd Webber, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | |
 | A Childhood memory | John Barry, English Chamber Orchestra | F Minor | 3 | 4A | 101 BPM | |
 | 2 Irish Pieces: No. 1, From the Countryside | William Alwyn, Ashley Wass | D♭ Major | 0 | 3B | 70 BPM | |
 | Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | |
 | Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | |
 | A Final Request | George Fenton | A♭ Minor | 2 | 1A | 99 BPM | |
 | Irish Lament | Ernest John Moeran, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 131 BPM | |
 | Main Title Theme (From "The French Lieutenant's Woman") | Royal Liverpool Philharmonic Orchestra, Carl Davis | E Major | 1 | 12B | 85 BPM | |
 | Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | D Major | 3 | 10B | 64 BPM | |
 | Gianni Schicchi: O mio babbino - Arr. For Horn and Orchestra by Wolfgang Renz | Giacomo Puccini, Felix Klieser, I Solisti di Pavia | D Major | 3 | 10B | 64 BPM | |
 | A Moorside Suite: I. Scherzo (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | D Minor | 2 | 7A | 128 BPM | |
 | Akram Khan's Giselle (After A. Adam): Love Duet II | Vincenzo Lamagna, English National Ballet Philharmonic, Gavin Sutherland | F Minor | 1 | 4A | 67 BPM | |
 | Judy's Theme | George Martin, Berlin Music Ensemble, Craig Leon | F♯ Minor | 2 | 11A | 85 BPM | |
 | The Four Seasons: Spring 2 | Delirium Musicum, Étienne Gara | F Major | 1 | 7B | 90 BPM | |
 | Cello Sonata, Op. 46: II. Andante Sostenuto (Arr. for Violin and String Ensemble by Ellie Consta) | Louise Farrenc, Esther Abrami, Her Ensemble | D Major | 5 | 10B | 140 BPM |
- ISRC
- GBBBN7802083
- Label
- L-M Records/RCA Records