RAGAMALIKATV, SAMANVITHA, RISHIPRIYA, PAVITHRA BALAJEE's ' "Vaazvu Aanaval" was released on its scheduled release date, October 19, 2024. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Raksha Raksha Jaganmatha". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Turks and Caicos Islands. Vaazvu Aanaval is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Vaazvu Aanaval by RAGAMALIKATV, SAMANVITHA, RISHIPRIYA, PAVITHRA BALAJEE having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Soorya Bhagavan | Bombay Saradha | B Major | 4 | 1B | 91 BPM | ||
| Enna Thavam | Balaji Shankar, Uma & Radha | D Major | 6 | 10B | 164 BPM | ||
| Banashankari | Bangalore Sisters | E Minor | 6 | 9A | 143 BPM | ||
| Paasam Paranjothi | Sikkil Gurucharan | D Major | 4 | 10B | 90 BPM | ||
| Sri Narasimha Karavalamba Stothram | Malola Kannan | D♭ Major | 5 | 3B | 89 BPM | ||
| Sirutha Navvulavaadu | G Balakrishna Prasad | B Major | 4 | 1B | 114 BPM | ||
| Mangalamani Mangalamani | Vedavathi Prabhakar | G Major | 2 | 9B | 145 BPM | ||
| Harivarasanam - Arinthum Ariyamalum | Veeramani Raju | F♯ Minor | 4 | 11A | 138 BPM | ||
| Paluke Bangaramayena | Parupalli Sri Ranganath | D Minor | 5 | 7A | 117 BPM | ||
| Yenniyadhu | Pushpavanam Kuppusamy | A♭ Major | 6 | 4B | 187 BPM | ||
| Mangala Roopini Dhukka Nivarana Ashtakam - Female Vocals | Mylai Sisters | C Major | 7 | 8B | 120 BPM | ||
| Sloka | Hari Om Sharan | C Major | 2 | 8B | 77 BPM | ||
| Bhu Suktam | T.Sivaprasad, R.V. Sathyanarayanamurthy | C Major | 1 | 8B | 120 BPM | ||
| Devi Viradrupa | Sri Ganapathy Sachchidananda Swamiji | G Major | 5 | 9B | 141 BPM | ||
| Kuttu Vilakeeriya | Sikkil Gurucharan | E Minor | 5 | 9A | 84 BPM | ||
| Anne Ivayum | Swasthika Swaminathan | D Major | 3 | 10B | 135 BPM | ||
| Subrahmanya Bhujangam | Chinmayi, Ashwin Vinayagamoorthy, Shri Adi Shankaracharya | A Major | 2 | 11B | 127 BPM | ||
| Parvathy Nandana | Udaiyalur Kalyanaraman | F♯ Major | 7 | 2B | 145 BPM | ||
| Raga Sumaneesha Ranjani - Madhukauns | A. Kanyakumari, Janardan Mitta | C Major | 5 | 8B | 75 BPM | ||
| Sitammaku Mangalam | M V Kamala Ramani, B Aruna, R Bhuvana | D♭ Major | 6 | 3B | 144 BPM | ||
| Thappugalella Pariharisuva | Anantha Kulkarni | D♭ Major | 4 | 3B | 129 BPM | ||
| Rama Ennuva Eradu Akshara | Puttur Narasimha Nayak | A♭ Major | 5 | 4B | 93 BPM | ||
| Nirguname Nee Gunamu | Sarvepalli Sisters | A♭ Major | 2 | 4B | 82 BPM | ||
| Siva Parvatulaku | Parupalli Ranganath | C Minor | 5 | 5A | 118 BPM | ||
| Subramanya Ashtakam | Hari Achuta Rama Sastry | B Minor | 3 | 10A | 76 BPM |