"Pulling Teeth" by The Red Shore had its release date on October 19, 2009. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Unconsecrated / Lost Verses". In this album, this song's track order is #15. Furthermore, we believe that the track originated from France. In terms of popularity, Pulling Teeth is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pulling Teeth by The Red Shore having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Becoming Misfortune | My Bitter End | F♯ Minor | 10 | 11A | 106 BPM | ||
| Knives and Wolves | The Red Shore | D♭ Major | 10 | 3B | 104 BPM | ||
| Forever Dying | Last House On The Left | C Major | 9 | 8B | 165 BPM | ||
| Sheila Like You Should Dream Of Disneyland | Medea Rising | C Major | 8 | 8B | 102 BPM | ||
| Demolishor | The Acacia Strain | A♭ Major | 10 | 4B | 122 BPM | ||
| Martyrdom: Ruin Of Gaia | At The Throne Of Judgement | A Major | 10 | 11B | 108 BPM | ||
| The Taken | Oceano | B Minor | 10 | 10A | 140 BPM | ||
| Arsenal | Within The Ruins | A♭ Major | 10 | 4B | 149 BPM | ||
| Moltres | Burning The Masses | A♭ Major | 10 | 4B | 175 BPM | ||
| Precursor To Enslavement | Oceano | A Major | 10 | 11B | 108 BPM | ||
| In the Eyes of God | The Crimson Armada | D Major | 10 | 10B | 122 BPM | ||
| The Consumption of Everything | Aegaeon | E Major | 10 | 12B | 125 BPM | ||
| The Mariner's Cutlass | At The Throne Of Judgement | G Major | 10 | 9B | 116 BPM | ||
| Failure in the Flesh | Through The Eyes of the Dead | G Major | 10 | 9B | 111 BPM | ||
| In Vastness, I Transfigure | And Hell Followed With | D♭ Minor | 10 | 12A | 114 BPM | ||
| Vehemence The Phoenix | The Red Shore | D♭ Minor | 10 | 12A | 119 BPM | ||
| We Bow In Its Aura | Veil Of Maya | F♯ Major | 9 | 2B | 119 BPM | ||
| Heeey... Let's Start A Band | War From A Harlots Mouth | C Major | 9 | 8B | 84 BPM | ||
| Dismantle | And Hell Followed With | B Minor | 10 | 10A | 103 BPM | ||
| Involuntary Demoralization | Oceano | E Minor | 10 | 9A | 119 BPM | ||
| Distant Words | Suffokate | A♭ Major | 10 | 4B | 195 BPM | ||
| Father of Lies | Whitechapel | F♯ Major | 10 | 2B | 111 BPM | ||
| Theocracy | Elysia | C Minor | 9 | 5A | 116 BPM | ||
| Attribute Of The Strong | American Me | A Major | 10 | 11B | 124 BPM | ||
| Samael The Destroyer | Oceano | F♯ Major | 10 | 2B | 113 BPM |