Dave Grusin's 'How Could You Lose Me? (End Title)' had a release date set for January 1, 1993. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "The Firm". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Based on our statistics, How Could You Lose Me? (End Title)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With How Could You Lose Me? (End Title) by Dave Grusin having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jazz Berceuse with Tuba | The Jim Cullum Jazz Band | D♭ Major | 1 | 3B | 68 BPM | ||
| Trista | Tomasz Stanko Quartet | F Minor | 1 | 4A | 87 BPM | ||
| Revelation | Yellowjackets, WDR Big Band | G Major | 5 | 9B | 125 BPM | ||
| City | Jeff Lorber Fusion | D♭ Major | 8 | 3B | 115 BPM | ||
| Made in America | Gary Lionelli | C Minor | 0 | 5A | 177 BPM | ||
| Foreign Exchange | Marc Antoine & Paul Brown | D Major | 8 | 10B | 117 BPM | ||
| Drive! | Rolfe Kent | C Minor | 5 | 5A | 147 BPM | ||
| Brother Earl | Marc Antoine & Paul Brown | F Minor | 8 | 4A | 117 BPM | ||
| Golden Lady | Ben Paterson | D♭ Major | 4 | 3B | 140 BPM | ||
| Clair De Lune - Instrumental Score | Marvin Hamlisch | D♭ Major | 1 | 3B | 141 BPM | ||
| Memphis Stomp (From "The Firm") | Dave Grusin, Luigi Palombi | B♭ Major | 3 | 6B | 106 BPM | ||
| Photosynthesis | William Ross | F Minor | 3 | 4A | 115 BPM | ||
| Rum Diary | Christopher Young | E Minor | 4 | 9A | 114 BPM | ||
| River Of Piece | Monty Alexander | C Major | 1 | 8B | 78 BPM | ||
| Milagro | Dave Grusin | A Major | 1 | 11B | 73 BPM | ||
| Taxi Driver | Bernard Herrmann, J.A.C. Redford, Carl Allen, Kenny Kirkland, Reginald Veal, Joe Henderson, Terence Blanchard | C Major | 2 | 8B | 172 BPM | ||
| West Coast Blues | Don Rendell / Henry Russell | F Minor | 3 | 4A | 178 BPM | ||
| Cantaloupe Island | Nat Adderley | C Minor | 4 | 5A | 118 BPM | ||
| Remembering Casey | Universal Production Music | A♭ Major | 3 | 4B | 93 BPM | ||
| What Do You Want the World to Be | Cynthia Curilla | C Major | 3 | 8B | 89 BPM | ||
| Medley (Ilsa Returns / As Time Goes By / Bitterness / Laszlo / Agitato No. 1 / Ilsa / La Marseillaise) | The Warner Bros. Studio Orchestra | G Minor | 2 | 6A | 90 BPM | ||
| Angel Face | Claus Raible | B Minor | 7 | 10A | 130 BPM | ||
| Nikki's Walk | Jeff Golub | G Major | 6 | 9B | 122 BPM | ||
| Remembering Marilyn | Lang Lang, Conrad Pope | F Major | 0 | 7B | 73 BPM | ||
| Grand Opening | David Holmes | B Minor | 4 | 10A | 114 BPM |