"We Drag the Dead on Leashes" by Being As An Ocean had its release date on May 6, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Being As An Ocean's "How We Both Wondrously Perish" album is number 6 out of 10. Based on our statistics, We Drag the Dead on Leashes's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of We Drag the Dead on Leashes by Being As An Ocean to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shine On | The Amity Affliction | B♭ Minor | 10 | 3A | 94 BPM | ||
| You Live On In Me | To Kill Achilles | B Major | 10 | 1B | 155 BPM | ||
| Share With Me | Dayshell | B Minor | 9 | 10A | 137 BPM | ||
| Love & Other Drugs | The Comfort | F♯ Major | 10 | 2B | 140 BPM | ||
| Nottingham | Hellions | D Major | 10 | 10B | 165 BPM | ||
| Back Bay | Vacant Home | G Major | 9 | 9B | 75 BPM | ||
| W.I.N.G.S. | Hindsight, Love Alone | E♭ Minor | 9 | 2A | 145 BPM | ||
| The Sea Always Seems to Put Me at Ease | Being As An Ocean | A♭ Major | 9 | 4B | 121 BPM | ||
| Dead Leaves | Trade Wind | B♭ Major | 9 | 6B | 145 BPM | ||
| The Hardest Part Is Forgetting Those You Swore You Would Never Forget | Being As An Ocean | A♭ Major | 9 | 4B | 133 BPM | ||
| Eviction | Like Pacific | F♯ Major | 10 | 2B | 183 BPM | ||
| The Frozone Layer | Hindsight | A♭ Major | 8 | 4B | 134 BPM | ||
| Alcoholocaust | Hotel Books | D♭ Major | 10 | 3B | 95 BPM | ||
| White America's Beautiful Black Market | letlive. | F♯ Minor | 10 | 11A | 130 BPM | ||
| List & Heel | Defeater | A Minor | 10 | 8A | 76 BPM | ||
| Old Jaw | Pianos Become The Teeth | D♭ Minor | 6 | 12A | 128 BPM | ||
| From the Sticks to Bitterness | Crooks UK | C Major | 9 | 8B | 130 BPM | ||
| Lesser | Hotel Books | C Major | 10 | 8B | 130 BPM | ||
| Atonement | Defeater | G Major | 7 | 9B | 140 BPM | ||
| To My Little One, Someday | Worthwhile | D Minor | 9 | 7A | 176 BPM | ||
| Where We Sleep Is Where We Dream | Hotel Books | D Major | 9 | 10B | 138 BPM | ||
| Late Lives | Pianos Become The Teeth | F♯ Major | 7 | 2B | 136 BPM | ||
| Purest Love | Being As An Ocean | E Minor | 9 | 9A | 125 BPM | ||
| Never in the Cards | Dependence | G Minor | 8 | 6A | 144 BPM | ||
| Summer | Empty Handed | F Minor | 9 | 4A | 90 BPM |