From A Second Story Window's ' "Severed Heads Open Minds" was released on its scheduled release date, May 27, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 10 in Conversations by From A Second Story Window. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Severed Heads Open Minds is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Severed Heads Open Minds by From A Second Story Window is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Awaiting Eschiel | Nehemiah | C Minor | 10 | 5A | 97 BPM | ||
| Zombies Are Good for Your Health | Poison The Well | F Minor | 10 | 4A | 132 BPM | ||
| Champagne and Sleeping Pills | Eighteen Visions | F♯ Major | 10 | 2B | 99 BPM | ||
| She Looks Good In Velvet | Eighteen Visions | G Major | 7 | 9B | 140 BPM | ||
| Makin' Love To A Murderer | Ligeia | A Minor | 9 | 8A | 94 BPM | ||
| Wave Goodbye | Nora | F♯ Major | 10 | 2B | 88 BPM | ||
| Convertible | Catherine | A♭ Major | 10 | 4B | 92 BPM | ||
| Before I Die I'm Gonna F'ck Me a Fish | See You Next Tuesday | D Major | 10 | 10B | 136 BPM | ||
| Tu Se Morta | Dead To Fall | D♭ Minor | 8 | 12A | 108 BPM | ||
| Boy Oh Boy, I Ain't No Wiz Kid | Duck Duck Goose | F Major | 10 | 7B | 87 BPM | ||
| Our Connection Is Lost | Coma Eternal | B♭ Minor | 9 | 3A | 120 BPM | ||
| A Farewell to a Perfect Score | 7 Angels 7 Plagues | D Major | 10 | 10B | 94 BPM | ||
| The Depravity Waltz | It Dies Today | D♭ Major | 9 | 3B | 191 BPM | ||
| Crunchy Black Did Me in at Midnight Madness | The Tony Danza Tapdance Extravaganza | B♭ Major | 10 | 6B | 140 BPM | ||
| They Live | Calico System | F♯ Major | 10 | 2B | 92 BPM | ||
| Five Years | Misery Signals | A♭ Major | 9 | 4B | 173 BPM | ||
| Bathed In Orange | Ed Gein | D♭ Major | 8 | 3B | 79 BPM | ||
| Laura Palmer | Skycamefalling | D♭ Major | 9 | 3B | 171 BPM | ||
| The Asphyxiation Process | Nehemiah | A♭ Major | 10 | 4B | 111 BPM | ||
| Empty Shell | Into The Moat | D♭ Major | 9 | 3B | 124 BPM | ||
| Fallen | Drawing Last Breath | F♯ Major | 9 | 2B | 83 BPM | ||
| Claiming Middle Age A Decade Early | Arsonists Get All The Girls | D♭ Major | 10 | 3B | 151 BPM | ||
| Big Jims Mistake | Remembering Never | A♭ Major | 9 | 4B | 109 BPM | ||
| Master Exploder | Dead To Fall | D♭ Minor | 9 | 12A | 118 BPM | ||
| Stand Your Ground | Dead To Fall | A Major | 9 | 11B | 102 BPM |