Lata Mangeshkar, Mohammed Rafi's ' "Ek Daal Par Tota Bole" was released on its scheduled release date, December 1, 1973. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 6 in Chor Machaye Shor (Original Motion Picture Soundtrack) by Ravindra Jain. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Ek Daal Par Tota Bole is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ek Daal Par Tota Bole by Lata Mangeshkar, Mohammed Rafi is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Humare Siva Tumhare Aur | Kishore Kumar, Lata Mangeshkar, Kalyanji-Anandji | E♭ Major | 6 | 5B | 111 BPM | ||
| Saanp Se Badhke Zehreela Insaan | Shailendra Singh, R. D. Burman | D Major | 8 | 10B | 126 BPM | ||
| Jhuki Jhuki Si Nazar | Jagjit Singh | A Minor | 3 | 8A | 95 BPM | ||
| O Gaadiwale | Shamshad Begum, Mohammed Rafi | D Major | 2 | 10B | 108 BPM | ||
| Jab Deep Jale Aana | K. J. Yesudas, Hemlata | B♭ Major | 6 | 6B | 84 BPM | ||
| Chandni Aai Ban Ke Pyar | Shamshad Begum, Shakeel Badayuni | D Major | 4 | 10B | 88 BPM | ||
| Jab Jab Apna Mel Hua | Sulakshana Pandit, Mohammed Rafi | D Major | 5 | 10B | 82 BPM | ||
| Kahin Pe Nigahen Kahin Pe Nishana | O. P. Nayyar, Majrooh Sultanpuri | E♭ Major | 3 | 5B | 106 BPM | ||
| Milo Na Tum To Hum Ghabraye (From "Heer Ranjha") | Tabassum, Lata Mangeshkar | G Minor | 6 | 6A | 147 BPM | ||
| Rangilla Hoon Main Dil Ka With Dialogue | Shailendra Singh, Kalyanji-Anandji | B Minor | 8 | 10A | 110 BPM | ||
| Rahen Na Rahen - Duet | Suman Kalyanpur, Mohammed Rafi | A♭ Major | 6 | 4B | 132 BPM | ||
| Ab Tere Bin Ji Lenge Hum | Kumar Sanu, Super Cassettes Industries Private Limited, Sameer Anjaan | A Major | 7 | 11B | 124 BPM | ||
| Hairan Hoon Main | Shabbir Kumar, Anuradha Paudwal | D♭ Major | 6 | 3B | 109 BPM | ||
| Main Pyar Ki Pujaran | Mohammed Aziz, Sapna Mukherjee | D♭ Major | 8 | 3B | 108 BPM | ||
| Suhana Safar Aur Yeh Mausam | Mukesh | G Minor | 3 | 6A | 151 BPM | ||
| Milte Hi Ankhen Dil Hua Diwana | Shamshad Begum, Talat Mahmood | A Minor | 5 | 8A | 97 BPM | ||
| Ankhon Mein Rang Kyon Aaya | Mukesh, Lata Mangeshkar | F Major | 7 | 7B | 125 BPM | ||
| O Zindagi Ke Denewale | Hemant Kumar | F Minor | 5 | 4A | 72 BPM | ||
| Palkon Ke Peechhe Se | Lata Mangeshkar, Mohammed Rafi, S. D. Burman | F Major | 5 | 7B | 95 BPM | ||
| Yunhi Tum Mujhse - From "Sachaa Jhutha" | Mohammed Rafi, Lata Mangeshkar | A♭ Minor | 6 | 1A | 119 BPM | ||
| Teri Yaad Aa Rahi Hai | Amit Kumar, R. D. Burman | A♭ Major | 5 | 4B | 127 BPM | ||
| Teri Tasveer Ko | K. J. Yesudas | B Major | 4 | 1B | 125 BPM | ||
| Teri Rahon Mein Khade Hai | Lata Mangeshkar, Kalyanji-Anandji | B♭ Minor | 5 | 3A | 94 BPM | ||
| Mil Gaye Mil Gaye Aaj Mere Sanam | Lata Mangeshkar | D♭ Major | 6 | 3B | 103 BPM | ||
| Gagan Yeh Samjhe Chand Sukhi Hai | Jaspal Singh | B Major | 4 | 1B | 125 BPM |