- BPM
- 116
- Key
- F Major
- Camelot
- 7B
Il trovatore: Gitanilla by Giuseppe Verdi, Munich Radio Orchestra, Ivan Repušić Song Details
Giuseppe Verdi, Munich Radio Orchestra, Ivan Repušić's ' "Il trovatore: Gitanilla" was released on its scheduled release date, November 8, 2024. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Il trovatore: Gitanilla's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Ballet Music from "Il trovatore" by Giuseppe Verdi, Munich Radio Orchestra, Ivan Repušić. The song's track number on the album is #2 out of 7 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Il trovatore: Gitanilla is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
Since Il trovatore: Gitanilla by Giuseppe Verdi, Munich Radio Orchestra, Ivan Repušić has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Il trovatore: Gitanilla being at 116 BPM, the half-time would be 58 BPM with a double-time of 232 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
Music Key
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 13%
- Loudness
- -17.74 dB
- Acousticness
- 97%
- Danceability
- 59%
- Energy
- 9%
- Instrumentalness
- 91%
- Liveness
- 10%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 74%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nabucco / Act I: O vinti, il capo a terra! | Giuseppe Verdi, Piero Cappuccilli, Yevgeny Nesterenko, Plácido Domingo, Ghena Dimitrova, Lucia Popp, Lucia Valentini Terrani, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D Major | 5 | 10B | 79 BPM | |
 | Libera me | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | F Minor | 2 | 4A | 82 BPM | |
 | La traviata: Act II: Amami, Alfredo! (Violetta, Alfredo) | Giuseppe Verdi, Orquestra Sinfónica do Teatro Nacional de São Carlos Lisboa, Maria Callas, Alfredo Kraus, Franco Ghione | F Major | 6 | 7B | 90 BPM | |
 | Norma (Ed. Biondi & Minasi), Act I Scene 1: Casta Diva | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | |
 | Chorus Of The Hebrew Slaves (Nabucco) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | D♭ Major | 0 | 3B | 142 BPM | |
 | Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | |
 | Verdi: Messa da Requiem: XII. Lacrymosa | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Daniela Barcellona, Eric Ericson Chamber Choir, Julian Konstantinov, Orfeon Donostiarra, Roberto Alagna, Swedish Radio Choir, Berliner Philharmoniker | B♭ Minor | 1 | 3A | 60 BPM | |
 | La traviata, Act I: Che è ciò? | Giuseppe Verdi, Stefania Malagu, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bruno Grella, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Opera Chorus, Bavarian State Orchestra, Carlos Kleiber | F Minor | 1 | 4A | 84 BPM | |
 | Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | |
 | Così fan tutte, K. 588 / Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 88 BPM | |
 | La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | |
 | Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | |
 | Symphony No.9 In D Minor, Op.125 - "Choral" - Excerpt From 4th Movement: 4. Presto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 74 BPM | |
 | La Traviata, Act I: È strano | Giuseppe Verdi, Lisette Oropesa, René Barbera, Daniel Oren, Dresdner Philharmonie | F Minor | 0 | 4A | 68 BPM | |
 | Tannhäuser, WWV 70, Act II: Dich, teure Halle, grüß ich wieder | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | |
 | Les Contes d'Hoffmann / Act II: Barcarolle | Anna Netrebko, Elina Garanca, Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir | D Major | 1 | 10B | 91 BPM | |
 | The Thieving Magpie - From “A Clockwork Orange" | Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly | E Major | 2 | 12B | 89 BPM | |
 | Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") | The Oscar's Orchestra | G Major | 2 | 9B | 135 BPM | |
 | Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | |
 | Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | |
 | Pagliacci / Prologue: Prelude..."Si può? Signore! Signori!" | Ruggero Leoncavallo, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | G Major | 2 | 9B | 79 BPM | |
 | Bellini: Norma: Sinfonia | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 1 | 9B | 141 BPM | |
| La Traviata / Act 2: "Noi siamo zingarelle" | Giuseppe Verdi, Stefania Malagu, Alfredo Giacomotti, Giovanni Foiani, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | E Minor | 1 | 9A | 63 BPM | |
 | Messa da Requiem: 2c. Liber scriptus | Giuseppe Verdi, Olga Borodina, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | D Major | 1 | 10B | 76 BPM | |
 | Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM |
- ISRC
- DELW72434115
- Label
- L-M Records/RCA Records