On April 1, 2012, the song "Pawat Sadhu Na" was released by Amit Mehta. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Amit Mehta's "Kabir Vaani" album is number 55 out of 63. On top of that, India appears to be the country where this track was created. In terms of popularity, Pawat Sadhu Na is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Pawat Sadhu Na by Amit Mehta to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jhulna Ma Baithe Maiya | Dukalu Yadav | D♭ Major | 9 | 3B | 76 BPM | ||
| Kali Kankalan Kalika - Live | Manish Agrawal | F Major | 6 | 7B | 190 BPM | ||
| Mere Lakhan Dulare Bol | Pawan Tiwari | F Major | 5 | 7B | 142 BPM | ||
| Naa Jeevitha Bagaswamivi Neevu | Hosanna Ministries Official | C Minor | 6 | 5A | 92 BPM | ||
| Palake Hi Palake | Manish Tiwari | A♭ Major | 5 | 4B | 91 BPM | ||
| Dirkila Bombil Pandhara | Santosh Naik | E Minor | 6 | 9A | 81 BPM | ||
| Mero to Aadhar Dwarkesh Ke Charnarvind | Nidhi Dholakia | B Major | 4 | 1B | 168 BPM | ||
| Hanuman Ashtak | Manoj Mishra, Railhan Studios, Dinesh Railhan | F Major | 8 | 7B | 88 BPM | ||
| Rat Le Hari Ka Naam | Parmod Kumar | B♭ Major | 6 | 6B | 90 BPM | ||
| Hore Hore Tu Vitthala - Sant Dyaneshvar | Suresh Wadkar | F♯ Major | 5 | 2B | 166 BPM | ||
| Maiya Ki Khel Rahi | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Desert Soul - Original | Piyush Awasthi, Amit Mehta | G Major | 4 | 9B | 125 BPM | ||
| O Maara Meet - Male Version | Parthiv Gohil | G Major | 7 | 9B | 84 BPM | ||
| Kirpa Ki Na Hoti Jo Adat Tumhari | Devendra Pathak | E♭ Minor | 4 | 2A | 132 BPM | ||
| Tola Lage He | Sanjay Surila, Shailbhama Mahapatra | F♯ Major | 8 | 2B | 126 BPM | ||
| Vahla Tari Murti | Divyang Ray, Kishan Venugopal, N.S. Venugopal | E♭ Major | 5 | 5B | 110 BPM | ||
| Angri La Mori Mori | Shraddha, Sajal | B Major | 8 | 1B | 100 BPM | ||
| Jo Barbaad Hogi | Parmod Kumar Ajmeriya | B♭ Minor | 8 | 3A | 116 BPM | ||
| Teri Yaadon Ko Dil Se Bhula Duga | Jittu Khare | F♯ Minor | 6 | 11A | 139 BPM | ||
| Coriolis Effect - Amit Mehta Remix | Amit Mehta, Silicon Syndicate | B♭ Minor | 8 | 3A | 125 BPM | ||
| Sthuthipaadutake (Srikaruda) | RAMESH hOSANNA MINISTRIES | D Minor | 7 | 7A | 81 BPM | ||
| Raja Janak Ji Ke Ek Beti Sita | Poonam Mishra | F♯ Major | 3 | 2B | 190 BPM | ||
| Dreams Never End - Original Mix | Amit Mehta | G Major | 7 | 9B | 125 BPM | ||
| Dinanath Meri Baat - Khatu Shyam Bhajan | Manoj Mishra | A Major | 8 | 11B | 156 BPM | ||
| Nade Talmal Talmal Kare | Ramakrishna Math, Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 146 BPM |