Rabindranath Tagore, Chinmoy Chatterjee's 'Aaji Bijan Ghare Nishitha Rate' had a release date set for May 1, 1997. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 4 in Chinmoy Chatterjee Tagore by Chinmoy Chatterjee. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Aaji Bijan Ghare Nishitha Rate's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aaji Bijan Ghare Nishitha Rate by Rabindranath Tagore, Chinmoy Chatterjee is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amay Prashna Kare Neel Dhrubatara | Hemant Kumar | E♭ Major | 3 | 5B | 92 BPM | ||
| Amar Shokol Niye Bose Achi | Srabani Sen | G Major | 1 | 9B | 77 BPM | ||
| Bolte Paro | Subhamita, Srijato | C Major | 5 | 8B | 110 BPM | ||
| Mon Dilo Na Bondhu | S. D. Burman | G Major | 2 | 9B | 175 BPM | ||
| He Sokha | Arijit Singh, Rabindranath Tagore | C Major | 2 | 8B | 180 BPM | ||
| Abar Chhuti | Silajit | A Major | 3 | 11B | 116 BPM | ||
| Neel Digante Oi Phuler Agun | Arundhati Holme Chowdhury, Rabindranath Tagore | A Major | 3 | 11B | 115 BPM | ||
| Kajol Bhramara - Studio | Amit Sur,Mausumi Dutta | F Major | 3 | 7B | 88 BPM | ||
| Khachar Bhitor Achin Pakhi | Satyaki Banerjee | A♭ Minor | 2 | 1A | 140 BPM | ||
| Jaat Gelo Jaat Gelo Bole | Joy Shahriar, Parvej Sazzad | D Major | 6 | 10B | 156 BPM | ||
| Shyama Maa Ki Aamar Kalo | Pannalal Bhattacharya | C Minor | 0 | 5A | 134 BPM | ||
| Naksha Phulor - Reprised (Chakma Song) | Hengorong Records | E♭ Major | 3 | 5B | 104 BPM | ||
| E Tumi Kemon Tumi Reprise | Saptarshi Mukherjee | G Major | 3 | 9B | 114 BPM | ||
| He Mahadeb version 2 ("Rudrabinar Obhishaap Part 2") | Jimut Roy | B Major | 6 | 1B | 168 BPM | ||
| Shawkaatore Oi - From "Padatik" | Sahana Bajpai, Debayan Banerjee, Rabindranath Tagore | C Major | 4 | 8B | 84 BPM | ||
| Ekta Golpo Bolo (From "Onko Ki Kothin") | Lagnajita Chakraborty, Debdeep Mukhopadhyay | A♭ Minor | 3 | 1A | 135 BPM | ||
| Ebar Tore Chinechhi Ma | Pritha Mukherjee | E♭ Major | 2 | 5B | 149 BPM | ||
| Sara Dao | Kabir Suman | E♭ Major | 2 | 5B | 129 BPM | ||
| O Keno Eto Sundari Holo | Manna Dey | A Major | 2 | 11B | 100 BPM | ||
| Jatismar | Kabir Suman | A Major | 2 | 11B | 117 BPM | ||
| Ek Lozenge-e | Chandrabindoo, Upal | A Major | 6 | 11B | 90 BPM | ||
| Bhalobeshe Shokhi | Debanjana Karmakar, Rabindranath Tagore | C Major | 2 | 8B | 129 BPM | ||
| Jharo Jharo Barishe Baridhara | Rabindranath Tagore | F♯ Major | 3 | 2B | 93 BPM | ||
| Aag Bariye Keu Bhalobasi Bole Na | Emon Chowdhury, Nandita, Ritu Raj | E♭ Major | 1 | 5B | 126 BPM | ||
| Shokhi Bhabona | Srabani Sen | A♭ Major | 6 | 4B | 154 BPM |