WHY?'s ' "White English" was released on its scheduled release date, October 5, 2012. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. White English's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in WHY?'s "Mumps, etc." album is number 5 out of 13. On top of that, Germany appears to be the country where this track was created. White English is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of White English by WHY? to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crosseyed Beautiful Youngunz | Love As Laughter | D Major | 5 | 10B | 167 BPM | ||
| The Tallest Building in Hell | Jared Mees & The Grown Children | G Major | 5 | 9B | 154 BPM | ||
| Diamonds on the Face of Evil | Ugly Casanova | G Major | 6 | 9B | 112 BPM | ||
| John Allyn Smith Sails | Okkervil River | E Major | 5 | 12B | 95 BPM | ||
| Happy Alone | Saintseneca | A Major | 7 | 11B | 108 BPM | ||
| George Washington | WHY? | A♭ Major | 8 | 4B | 89 BPM | ||
| Ten Thousand Lines | Electric President | B Major | 6 | 1B | 90 BPM | ||
| No Future Part Three: Escape From No Future | Titus Andronicus | G Major | 9 | 9B | 167 BPM | ||
| Tightrope | Yeasayer | A♭ Major | 9 | 4B | 150 BPM | ||
| Headsgiving | Porches | D Major | 7 | 10B | 145 BPM | ||
| This Blackest Purse | WHY? | A Major | 4 | 11B | 122 BPM | ||
| Sunlight | Tune-Yards | D Minor | 8 | 7A | 169 BPM | ||
| Weird | Menomena | B♭ Major | 5 | 6B | 150 BPM | ||
| Dear Sarah Shu | John Vanderslice | E Minor | 4 | 9A | 124 BPM | ||
| Allegheny | Yoni & Geti, WHY?, Serengeti | C Major | 7 | 8B | 130 BPM | ||
| Hellhole Ratrace | Girls | A Major | 6 | 11B | 115 BPM | ||
| Strawberries | WHY? | F Major | 7 | 7B | 75 BPM | ||
| Heartbroke | The Good Life | C Major | 5 | 8B | 140 BPM | ||
| Rotten Hell | Menomena | B Major | 4 | 1B | 142 BPM | ||
| Light Leaves | WHY? | F Major | 9 | 7B | 150 BPM | ||
| Might of the Moose | Advance Base | F Major | 7 | 7B | 129 BPM | ||
| Tambourine - N - Thyme | Nana Grizol | C Major | 8 | 8B | 112 BPM | ||
| All Them Boys | Hymie's Basement | C Major | 6 | 8B | 136 BPM | ||
| The Empty Threats of a Little Lord | Sunset Rubdown, Spencer Krug | A Minor | 3 | 8A | 87 BPM | ||
| Allahu Akbar | Emperor X | F Major | 10 | 7B | 162 BPM |