JG Rai, Rajesh Payal Rai's ' "Badam Soli Ma" was released on its scheduled release date, September 7, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rajesh Payal Rai's "Jadau" album is number 1 out of 8. On top of that, Norway appears to be the country where this track was created. Badam Soli Ma is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Badam Soli Ma by JG Rai, Rajesh Payal Rai to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nee Thone | S. P. Balasubrahmanyam, K. S. Chithra | D Major | 7 | 10B | 179 BPM | ||
| Lali Joban | Narayan Rayamajhi, Premraja Mahat, Komal oli | E♭ Major | 4 | 5B | 115 BPM | ||
| Pareli Ma Aai | Kavita Krishnamurthy | G Major | 6 | 9B | 86 BPM | ||
| Darjeeling Ko | Ram Chandra Kafle | B Major | 6 | 1B | 150 BPM | ||
| Duhulu Maleka | Nirosha Virajini | E Minor | 5 | 9A | 157 BPM | ||
| Pyar Ke Mod Pe | Asha Bhosle, Suresh Wadkar | B Minor | 6 | 10A | 103 BPM | ||
| Nangkhou Nublwa | Gautam Brahma, Sulekha Basumatary | G Major | 6 | 9B | 174 BPM | ||
| Har Raat Shirani Mero | Suresh kumar | C Major | 2 | 8B | 170 BPM | ||
| Karthavam Mishiha | Wilson Piravom | D Minor | 5 | 7A | 160 BPM | ||
| Bhola Bhalaanjani Ka Lala | Ramkumar Lakha, Kumar Vishu, Rakesh Kala, Narender Kaushik | A Major | 7 | 11B | 188 BPM | ||
| Tal Tal Talkine (From "Bir Bikram") | Rajesh Payal Rai, Anila Rai, Tara Prakash Limbu | G Major | 6 | 9B | 80 BPM | ||
| Keri Keri Suna Duba | Anuradha Paudwal | B♭ Major | 6 | 6B | 151 BPM | ||
| Datang Untuk Pergi | Lata Mangeshkar, Rhoma Irama | D Major | 4 | 10B | 130 BPM | ||
| Chanda Mama | S. Janaki | A♭ Major | 7 | 4B | 139 BPM | ||
| Pombala Illama | Ilaiyaraaja, Mano | C Major | 4 | 8B | 108 BPM | ||
| Jay Maa Mangala | Madhusmita Mahakul | F♯ Minor | 8 | 11A | 154 BPM | ||
| Pyar Ka Sagar | Anthony Raj Allam | F Major | 5 | 7B | 89 BPM | ||
| Sagarangale | K. J. Yesudas | C Major | 5 | 8B | 90 BPM | ||
| Suna Suna | Uday Sotang, Manila Sotang | G Major | 5 | 9B | 77 BPM | ||
| Mone Rekho Amar Ei Gaan (Duet) | Shreya Ghoshal, Sonu Nigam | B Major | 3 | 1B | 94 BPM | ||
| Yahoodhiyayile Oru Gramathil | K. J. Yesudas | A♭ Minor | 9 | 1A | 120 BPM | ||
| Lalupate Nugyo Bhui Tira | Raju Pariyar, Bishnu Majhi | D Major | 6 | 10B | 175 BPM | ||
| Tara Vina Veran Laage Aa Raatdi | Ashvin Mistry | B Major | 6 | 1B | 141 BPM | ||
| Palkon Ka Ghar Taiyar Sanwre | Kumar Deepak | D♭ Major | 8 | 3B | 138 BPM | ||
| Syabjim Dafe | Indira Yonjan, Yogita Moktan, Tulasa Waiba, Raju Lama-mongolian Heart | E♭ Minor | 5 | 2A | 95 BPM |