George Frideric Handel, Seong-Jin Cho's ' "Suite No. 8 in F Minor, HWV 433: IV. Courante" was released on its scheduled release date, February 3, 2023. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 42 in the song's album "The Handel Project: Handel-Suites & Brahms-Variations". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. In terms of popularity, Suite No. 8 in F Minor, HWV 433: IV. Courante is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Suite No. 8 in F Minor, HWV 433: IV. Courante by George Frideric Handel, Seong-Jin Cho having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Keyboard Sonata in C Minor, Kk. 56 | Domenico Scarlatti, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
| Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
| Scarlatti, D: Keyboard Sonata in C-Sharp Minor, Kk. 247 | Domenico Scarlatti, Christian Zacharias | B♭ Major | 2 | 6B | 158 BPM | ||
| Goldberg Variations, BWV 988: Var. 1. a 1 Clav. - Live at Carnegie Hall, New York, 2025 | Johann Sebastian Bach, Yunchan Lim | G Major | 2 | 9B | 107 BPM | ||
| Partita II in do menore : Andante elegiaco | Lazar Berman | C Minor | 1 | 5A | 97 BPM | ||
| Mozart: Piano Sonata No. 18 in D Major, K. 576 "The Hunt": III. Allegretto | Wolfgang Amadeus Mozart, Mariam Batsashvili | A♭ Minor | 2 | 1A | 109 BPM | ||
| Acis and Galatea, HWV 49b: Sinfonia | George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble | G Major | 5 | 9B | 140 BPM | ||
| Fugue, Op. 7 | Prinz Louis Ferdinand von Preußen, Yaara Tal | G Minor | 2 | 6A | 178 BPM | ||
| Suite No. 2 in G Minor, Z. 661: II. Allemande - Live | Henry Purcell, Grigory Sokolov | G Minor | 3 | 6A | 99 BPM | ||
| 7 Bagatelles, Op. 33: No. 2 in C Major. Scherzo. Allegro – Trio | Ludwig van Beethoven, Steven Osborne | A Minor | 0 | 8A | 125 BPM | ||
| Keyboard Sonata in F Minor, K. 466 | Domenico Scarlatti, Javier Perianes | F♯ Minor | 2 | 11A | 124 BPM | ||
| Piano Sonata in G Minor: IV. Rondo | Clara Schumann, Sharon Su | G Minor | 2 | 6A | 95 BPM | ||
| Romance Variée, Op. 3 | Clara Schumann, Noemí Teruel Serrano | C Major | 1 | 8B | 68 BPM | ||
| Children's Corner, L. 113: 6. Golliwog's Cakewalk | Claude Debussy, Seong-Jin Cho | F Minor | 0 | 4A | 69 BPM | ||
| Keyboard Sonata in A Major, Wq. 54/6: III. Allegretto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 0 | 4A | 81 BPM | ||
| Keyboard Sonata No. 32 in G Minor, Hob. XVI:44: I. Moderato - Live | Joseph Haydn, Grigory Sokolov | G Major | 3 | 9B | 97 BPM | ||
| Byrd: Pavan and Two Galliards: I. The Earl of Salisbury Pavan | William Byrd, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Landler (Tirolese) - Duo-Art 6110 | Giovanni Sgambati, Peter Phillips, Winifred Byrd | E♭ Major | 2 | 5B | 71 BPM | ||
| Piano Sonata in D Major, K96 | Peter Katin | D Major | 2 | 10B | 147 BPM | ||
| Fantasia No. 1 for Solo Violin in B-Flat Major, TWV 40:14: III. Grave – | Georg Philipp Telemann, Alina Ibragimova | A Minor | 2 | 8A | 160 BPM | ||
| Etudes for Piano, Op. 740: No. 15 in E-Flat Major | Carl Czerny, Irina Smorodinova | A Minor | 4 | 8A | 112 BPM | ||
| 12 Variations for Violin and Piano on "La bergère Célimène", K. 359: Var. 11. Adagio | Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien | G Major | 0 | 9B | 104 BPM | ||
| ブルクミュラー25の練習曲: 16. ちょっとした悲しみ | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Pièces de clavecin, Livre II, Ordre 8: III. Première courante | François Couperin, Angela Hewitt | D Major | 1 | 10B | 133 BPM | ||
| Keyboard Sonata in C Major, Wq. 65/47, H. 248: II. Adagio assai | Carl Philipp Emanuel Bach, Christopher Hinterhuber | E Major | 2 | 12B | 162 BPM |