"In a Sentimental Mood" by Frank Wess had its release date on 1992. This song is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The song is number 4 out of 11 in Frank Wess Meets The Paris - Barcelona Swing Connection by Frank Wess. The popularity of In a Sentimental Mood is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of In a Sentimental Mood by Frank Wess is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Long Ago (And Far Away) | Chet Baker Quartet, Russ Freeman | A♭ Major | 4 | 4B | 137 BPM | ||
| After Hours | Butch Miles, Bob Ojeda, Bill Porter, Doug Lawrence, Frank Wess, Kenny Drew Jr, Lynn Seaton | A♭ Major | 4 | 4B | 139 BPM | ||
| My One and Only Love - FInal CD | Paul Meyers Quartet, Andy Bey, Frank Wess | A Minor | 1 | 8A | 84 BPM | ||
| Us Three - Remastered | Horace Parlan | E♭ Major | 6 | 5B | 123 BPM | ||
| I'm In The Mood For Love | James Moody | C Major | 2 | 8B | 70 BPM | ||
| Let's Call This | Cedar Walton | E♭ Major | 1 | 5B | 86 BPM | ||
| I Cover The Waterfront | Paul Gonsalves | G Minor | 0 | 6A | 75 BPM | ||
| Stella By Starlight | Charlie Rouse | G Minor | 1 | 6A | 92 BPM | ||
| My Mother's Eyes | Horace Parlan | D Major | 2 | 10B | 125 BPM | ||
| Grass Roots | Andrew Hill | B♭ Major | 3 | 6B | 123 BPM | ||
| Nirvanna - Remastered 2004 | Jack Wilson | F Major | 3 | 7B | 104 BPM | ||
| Violets For Your Furs | Nat Adderley, Wes Montgomery, Sam Jones | F Major | 1 | 7B | 139 BPM | ||
| All Or Nothing At All | John Coltrane Quartet | G Major | 4 | 9B | 92 BPM | ||
| Cute | Butch Miles, Bob Ojeda, Bill Porter, Doug Lawrence, Frank Wess, Kenny Drew Jr, Lynn Seaton | D Minor | 4 | 7A | 111 BPM | ||
| Bohemia After Dark | Oscar Pettiford | G Minor | 4 | 6A | 90 BPM | ||
| Secrets | Count Basie and The Kansas City 7 | A Minor | 1 | 8A | 101 BPM | ||
| Outside Inn | Butch Miles, Bob Ojeda, Bill Porter, Doug Lawrence, Frank Wess, Kenny Drew Jr, Lynn Seaton | A♭ Major | 7 | 4B | 109 BPM | ||
| Two Bass Hit - Remastered 2001/Rudy Van Gelder Edition | Sonny Clark Trio | D♭ Major | 6 | 3B | 121 BPM | ||
| Llareggub | The Stan Tracey Quartet | F Minor | 5 | 4A | 118 BPM | ||
| Cheryl | Phineas Newborn Jr. | F Minor | 4 | 4A | 111 BPM | ||
| Dat Dere | Bobby Timmons | A♭ Major | 3 | 4B | 135 BPM | ||
| Things Ain't What They Used To Be | John Coltrane, Frank Wess, Paul Quinichette, Mal Waldron, Doug Watkins, Arthur Taylor | B♭ Major | 2 | 6B | 112 BPM | ||
| Whisper Not | Art Farmer & Benny Golson Jazztet | D Minor | 1 | 7A | 101 BPM | ||
| Chill | Joshua Redman Quartet | A♭ Major | 2 | 4B | 118 BPM | ||
| I've Grown Accustomed To Her Face | Bud Shank, Bob Cooper | C Minor | 1 | 5A | 72 BPM |