Mitchel Forman's 'Hospitality Creek' had a release date set for August 25, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mitchel Forman's "Lost and Found" album is number 8 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Hospitality Creek's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hospitality Creek by Mitchel Forman to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naked City (feat. Mitchel Forman, Andre Berry, Steve Ferrone) - Live Recording | Jeff Golub, Mitchel Forman, Steve Ferrone, Andre Berry | D Minor | 4 | 7A | 138 BPM | ||
| Hand in Hand | Tom Kennedy | A Minor | 5 | 8A | 135 BPM | ||
| Surreptitious | Jeff Lorber | F Minor | 7 | 4A | 134 BPM | ||
| Only A Memory | Mitchel Forman | G Major | 0 | 9B | 149 BPM | ||
| To You | Christian Houmann, Carsten Kær Nielsen, Martin Kollerup Sørensen | G Major | 2 | 9B | 144 BPM | ||
| Cauce íntimo | Alto extremo | D♭ Major | 4 | 3B | 86 BPM | ||
| Needless to Say (...a Tribute to Bill Evans) | Triosence | A♭ Major | 5 | 4B | 173 BPM | ||
| Now You Know | Steps Ahead | D Major | 3 | 10B | 107 BPM | ||
| Cinderella | Lorena Fontana, Mitchel Forman, Ralph Humphrey, Michael Rosen, Edwin Livingston | B♭ Major | 3 | 6B | 103 BPM | ||
| Tinder cut | Manu Norena | D Minor | 4 | 7A | 80 BPM | ||
| Sofà Club | Loungephoria | G Minor | 7 | 6A | 96 BPM | ||
| Past Voices | Taylor Eigsti | F♯ Major | 1 | 2B | 73 BPM | ||
| High Groove, Low Feedback | Doug Webb, Michael Dease, Mitchel Forman, Chris Colangelo, Roy McCurdy | E♭ Major | 4 | 5B | 176 BPM | ||
| Between the Lines | Dan Siegel | C Minor | 4 | 5A | 123 BPM | ||
| Who's Making Love | Christian McBride Trio | C Minor | 3 | 5A | 117 BPM | ||
| Emberfunk Harmony | Serpentine Flow | D♭ Major | 4 | 3B | 86 BPM | ||
| Long Time | Ewan Svensson | F♯ Minor | 5 | 11A | 176 BPM | ||
| Ana Maria | David Garfield | A♭ Major | 5 | 4B | 129 BPM | ||
| Aquarelles | BBIT Big Band Italia, Pierluigi Villani, Bruno Luise, Roberto Ottaviano, Chris Minh Doky | D♭ Major | 4 | 3B | 86 BPM | ||
| Jazzy Journey | Eleah Dom Robe | G Major | 0 | 9B | 92 BPM | ||
| Song For Claire | Dave Weckl Band | C Major | 6 | 8B | 90 BPM | ||
| Florianapolis - Instrumental | John McLaughlin, Mitchel Forman, Jonas Hellborg, Bill Evans | A Major | 7 | 11B | 126 BPM | ||
| One Last Kiss | Jeff Richman, Vinnie Colaiuta, Dean Taba, George Whitty, Mitchel Forman | B Minor | 4 | 10A | 100 BPM | ||
| Way-Out | Joran Cariou Trio, Damien Varaillon, Stéphane Adsuar | A♭ Major | 3 | 4B | 102 BPM | ||
| Who Does She Hope to Be? | Matthew Stevens, Jeff Parker, Terri Lyne Carrington | D♭ Major | 4 | 3B | 86 BPM |