"The Final Destination Suite" by Brian Tyler had its release date on January 1, 2009. This song appears to be safe for all ages as it is not explicit. There are a total of 23 in the song's album "The Final Destination (Original Motion Picture Soundtrack)". In this album, this song's track order is #23. The Final Destination Suite is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Final Destination Suite by Brian Tyler having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Years of Training - Part 1 - Motherland | The Flight | B Major | 6 | 1B | 186 BPM | ||
| Ironclad | Clint Mansell | D Minor | 4 | 7A | 142 BPM | ||
| Tiger Battle | Steven Price | G Major | 9 | 9B | 140 BPM | ||
| Indiana Jones and the Dial of Destiny Trailer Music - Epic Version | Jamie Evans Music | E Major | 6 | 12B | 114 BPM | ||
| Jedi Eulogy | Kevin Kiner, Takeshi Furukawa | E♭ Major | 3 | 5B | 116 BPM | ||
| Shazam! Fury of the Gods (Main Title Theme) | Christophe Beck | C Minor | 3 | 5A | 115 BPM | ||
| San Francisco Spared | Dominic Lewis | D Minor | 6 | 7A | 120 BPM | ||
| Lemurian Star | Henry Jackman | C Minor | 4 | 5A | 136 BPM | ||
| Engländer | Thomas Newman | B♭ Minor | 3 | 3A | 100 BPM | ||
| Portals | Alan Silvestri | G Major | 5 | 9B | 93 BPM | ||
| Finale and Curtain Call | Joe Kraemer | G Minor | 2 | 6A | 123 BPM | ||
| Skull And Crossbones | Klaus Badelt | D Minor | 6 | 7A | 140 BPM | ||
| The Ring Goes South | Howard Shore | A Minor | 1 | 8A | 80 BPM | ||
| Now You See Me 2 Fanfare | Brian Tyler | G Major | 6 | 9B | 84 BPM | ||
| The Born King | Daniel Pemberton | D Minor | 2 | 7A | 110 BPM | ||
| Introducing Flint | Mark Mothersbaugh | E Minor | 2 | 9A | 92 BPM | ||
| The Night Window (From "1917" Soundtrack) | Thomas Newman | B♭ Major | 1 | 6B | 77 BPM | ||
| Final Contest | James Horner | D Major | 3 | 10B | 62 BPM | ||
| Captain America | Alan Silvestri | F Major | 4 | 7B | 95 BPM | ||
| My Number Is 47 | Geoff Zanelli | A Minor | 1 | 8A | 112 BPM | ||
| One Last Time | Stephan Bark, Humanix | C Major | 2 | 8B | 105 BPM | ||
| Finale & End Credits | Joe Kraemer | E Minor | 1 | 9A | 86 BPM | ||
| Walk The Plank | Klaus Badelt | D Major | 3 | 10B | 122 BPM | ||
| Sixteen Hundred Men | Thomas Newman | C Minor | 2 | 5A | 122 BPM | ||
| Centurion | Ilan Eshkeri | D♭ Minor | 1 | 12A | 86 BPM |