AURAS's ' "The Ripple Effect" was released on its scheduled release date, September 30, 2016. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Auras's "Heliospectrum" album is number 2 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Ripple Effect's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The Ripple Effect by AURAS to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aporia (feat. Aaron Marshall (Intervals)] | Auras | F♯ Major | 10 | 2B | 119 BPM | ||
| Trapped Like Rats | Glass Cloud | D Major | 9 | 10B | 125 BPM | ||
| No One Is Listening | Berried Alive | D♭ Major | 9 | 3B | 100 BPM | ||
| Counterfeit | The Northern | D Major | 10 | 10B | 138 BPM | ||
| Hero | Uneven Structure | A♭ Major | 9 | 4B | 150 BPM | ||
| Proposal | Karmanjakah | D♭ Major | 7 | 3B | 95 BPM | ||
| Nev[er]ase | Forgetting The Memories | B Minor | 10 | 10A | 200 BPM | ||
| Language II: Conspire | The Contortionist | F♯ Major | 9 | 2B | 176 BPM | ||
| Equilibrium (Ft. Ryan Siew) | Above, Below, Ryan Siew | A Minor | 9 | 8A | 196 BPM | ||
| Solitude | Sentinels | B♭ Minor | 9 | 3A | 90 BPM | ||
| Masamune | Periphery | B♭ Minor | 10 | 3A | 105 BPM | ||
| Euphoric State | Ghost Iris | A Minor | 10 | 8A | 87 BPM | ||
| Celeste | Monuments | D♭ Major | 10 | 3B | 109 BPM | ||
| Phantom Pain | Gravemind | E♭ Major | 10 | 5B | 160 BPM | ||
| Coalescence | Sentinels | D♭ Major | 10 | 3B | 93 BPM | ||
| Deus | Johari | G Minor | 9 | 6A | 186 BPM | ||
| Blue Sky Thinking | Monuments | D♭ Major | 9 | 3B | 139 BPM | ||
| Wasted Youth | Lost in Separation | A Minor | 10 | 8A | 120 BPM | ||
| The Empty City | Johari | F♯ Major | 9 | 2B | 116 BPM | ||
| Fruit of the Poisonous Tree | Flux Conduct | C Minor | 9 | 5A | 98 BPM | ||
| Possessed | Atena | B♭ Minor | 10 | 3A | 110 BPM | ||
| Terrene | AURAS | D♭ Major | 10 | 3B | 130 BPM | ||
| The Rat & The Snake | Ghost Iris, Tyler Shelton | A Major | 10 | 11B | 160 BPM | ||
| The Sea Starts Here | The Dali Thundering Concept, Ryo Kinoshita | B Minor | 10 | 10A | 150 BPM | ||
| Mantra | Above, Below | G Major | 9 | 9B | 108 BPM |