George Frideric Handel, London Symphony Orchestra, Sir Colin Davis, Tenebrae's ' "Messiah, HWV 56, Part I: No. 21, His Yoke Is Easy" was released on its scheduled release date, October 9, 2007. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Messiah, HWV 56, Part I: No. 21, His Yoke Is Easy's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, London Symphony Orchestra, Sir Colin Davis, Susan Gritton, Sara Mingardo, Mark Padmore, Alastair Miles, Tenebrae's "Handel: Messiah" album is number 20 out of 53. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah, HWV 56, Part I: No. 21, His Yoke Is Easy is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Messiah, HWV 56, Part I: No. 21, His Yoke Is Easy by George Frideric Handel, London Symphony Orchestra, Sir Colin Davis, Tenebrae to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Sea Symphony: III. Scherzo: The Waves (Allegro brillante) | Ralph Vaughan Williams, Margaret Marshall, Richard Hickox, Philharmonia Orchestra | D Minor | 2 | 7A | 84 BPM | ||
| Magnificat, BWV 243a: Magnificat, BWV 243a: X. Gloria in excelsis Deo | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe | D Major | 2 | 10B | 80 BPM | ||
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Qui tollis | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Sir Colin Davis | B♭ Major | 1 | 6B | 94 BPM | ||
| Gloria in D Major, RV 589: IX. Qui tollis peccata mundi | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | E♭ Minor | 2 | 2A | 130 BPM | ||
| Oratorio de Noël, Op. 12: Air. Domine, ego credidi (Tenor, Chorus) | Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders Eby | D Major | 0 | 10B | 128 BPM | ||
| Messiah: Part 2, Lift up your heads, O ye gates (Chorus) | The Sixteen | E Major | 3 | 12B | 108 BPM | ||
| Oratorio de Noël, Op. 12: Air. Domine, ego credidi (Tenor, Chorus) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann | A Minor | 1 | 8A | 70 BPM | ||
| Traditional / Orch. Pasatieri: Joy to the World | Traditional, Thomas Hampson, Hugh Wolff, Saint Paul Chamber Orchestra | A Major | 2 | 11B | 99 BPM | ||
| The Dettingen Te Deum: XVI. And We Worship Thy Name | George Frideric Handel, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock | D Major | 1 | 10B | 149 BPM | ||
| Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Gloria | Joseph Haydn, Margaret Marshall, Carolyn Watkinson, Hansjürgen Scholze, Keith Lewis, Robert Holl, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
| Magnificat in B flat major: Deposuit potentes | Francesco Durante, Balthasar-Neumann-Chor, Thomas Hengelbrock | D♭ Minor | 2 | 12A | 104 BPM | ||
| Comfort Ye My People | The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Rolando Villazón | D Major | 5 | 10B | 140 BPM | ||
| Surely He Hath Borne Our Griefs | The Tabernacle Choir at Temple Square, Orchestra at Temple Square | F Minor | 2 | 4A | 120 BPM | ||
| Messe de Minuit, H. 9: Gloria | Marc-Antoine Charpentier, Annick Massis, Magdalena Kožená, Eric Huchet, Patrick Henckens, Jean-Louis Bindi, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre | C Major | 2 | 8B | 96 BPM | ||
| Messiah, HWV 56: Part 2: Hallelujah (Chorus) | Nikolaus Harnoncourt | D♭ Major | 3 | 3B | 86 BPM | ||
| Weihnachtsoratorium (BWV 248): Ich will nur dir zu Ehren leben | Gewandhausorchester, Georg Christoph Biller, Christoph Genz | E Major | 1 | 12B | 94 BPM | ||
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Et incarnatus est | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | G Minor | 1 | 6A | 135 BPM | ||
| Tchaikovsky: Swan Lake, Op. 20, Act 3: No. 23, Mazurka | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | G Major | 3 | 9B | 185 BPM | ||
| All We Like Sheep Have Gone Astray | The Tabernacle Choir at Temple Square, Orchestra at Temple Square | F Major | 1 | 7B | 81 BPM | ||
| Messiah, HWV 56 / Pt. 3: Behold, I Tell You A Mystery | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Ulkrik Cold | A Major | 1 | 11B | 87 BPM | ||
| A Ceremony of Carols, Op. 28: III. There Is No Rose | Benjamin Britten, The Choir Of Trinity College, Cambridge, Richard Marlow, Frances Kelly, Marie-Claire Brookshaw, Clare Wilkinson | B♭ Major | 0 | 6B | 97 BPM | ||
| L'enfance du Christ, Op. 25, H 130: Part II, La Fuite en Égypte, L'adieu Des Bergers a la Sainte Famille (The Shepherds' Farewell) | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tenebrae | E Major | 0 | 12B | 86 BPM | ||
| Vesperae solennes de confessore in C, K.339: 1. Dixit Dominus Domino meo | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | C Major | 3 | 8B | 137 BPM | ||
| Messiah / Part 1: "And He Shall Purify The Sons Of Levi" | George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 177 BPM | ||
| Concerto Pastorale In G Major: 1. Larghetto - Allegro e forte - (Larghetto) | Johann Melchior Molter, Trevor Pinnock, The English Concert | F♯ Major | 1 | 2B | 113 BPM |