Keizo Nakanishi's ' "Happy Ever After" was released on its scheduled release date, January 29, 1997. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Spinning". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Japan. In terms of popularity, Happy Ever After is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Happy Ever After by Keizo Nakanishi having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 止まらぬ想い | Sing Like Talking | C Major | 5 | 8B | 69 BPM | ||
| JOY | TRF | F♯ Minor | 7 | 11A | 96 BPM | ||
| Chance ! | Takako Shirai, THE CRAZY BOYS | A♭ Major | 9 | 4B | 148 BPM | ||
| 竹田の子守唄 | L.O.T.U.S., Satoshi Ikeda, Keizo Nakanishi, 赤崎郁洋 | E Minor | 2 | 9A | 142 BPM | ||
| NEVER TOO LATE | REBECCA | D Major | 7 | 10B | 95 BPM | ||
| 離したくはない(アコースティックバージョン) | T-BOLAN | F Minor | 4 | 4A | 127 BPM | ||
| 恋に落ちたら | PRINCESS PRINCESS | F Major | 9 | 7B | 137 BPM | ||
| そのままの君でいて | Mayo Okamoto | D Major | 9 | 10B | 134 BPM | ||
| j・e・a・l・o・u・s・y - LIVE | Satoshi Ikeda | G Major | 5 | 9B | 124 BPM | ||
| Lovin' you | T-BOLAN | A Major | 9 | 11B | 91 BPM | ||
| みあげてごらん | Keizo Nakanishi | E Major | 6 | 12B | 111 BPM | ||
| 僕の腕の中で - 2022 Remaster | Kiyotaka Sugiyama | G Major | 9 | 9B | 134 BPM | ||
| いちばん近くにいてね (2019 Remastered) | Maki Ohguro | C Minor | 10 | 5A | 117 BPM | ||
| あの時のように | Yasuhiro Yamane | F♯ Major | 7 | 2B | 79 BPM | ||
| Shinkiro | Mariko Takahashi | G Minor | 8 | 6A | 122 BPM | ||
| 夢伝説 | Stardust Revue | G Major | 8 | 9B | 124 BPM | ||
| 隣の店 | Satoshi Ikeda, Keizo Nakanishi, 叶高 | D Major | 1 | 10B | 89 BPM | ||
| ミラクル・ガール | Mariko Nagai | E♭ Major | 9 | 5B | 132 BPM | ||
| 未完のアンドロイド | Toshinori Yonekura | A♭ Major | 5 | 4B | 94 BPM | ||
| LONELY BUTTERFLY | REBECCA | C Major | 9 | 8B | 142 BPM | ||
| 逢いたいから | Toko Furuuchi | F♯ Major | 1 | 2B | 79 BPM | ||
| 女ぎつね on the Run (Original "Big Bowl" Version) | BARBEE BOYS | A Major | 9 | 11B | 178 BPM | ||
| SHINE ON ME | Junichi Inagaki | F♯ Major | 8 | 2B | 113 BPM | ||
| もっと もっと・・・ | Ryoko Shinohara, Tetsuya Komuro | C Major | 6 | 8B | 125 BPM | ||
| あの頃のように (single version) | 障子久美 | A♭ Major | 5 | 4B | 154 BPM |