Anonymous, Christopher Wilson's ' "Anonymous: La moreda (No. 7 from Simancas MS 394)" was released on its scheduled release date, January 1, 1990. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vihuela Music from the Spanish Renaissance by Christopher Wilson. The song's track number on the album is #28 out of 31 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Anonymous: La moreda (No. 7 from Simancas MS 394) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Anonymous: La moreda (No. 7 from Simancas MS 394) by Anonymous, Christopher Wilson has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Anonymous: La moreda (No. 7 from Simancas MS 394) being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| MISA IN TE DOMINE SPERAVI: Gloria | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 85 BPM | ||
| Incipit oratio Jeremiae prophetae: III. Pupilli facti sumus | Dominique Phinot, El León de Oro, Peter Phillips | G Major | 1 | 9B | 89 BPM | ||
| Incarnatus | Eikona, Choirs Of Annunciation Byzantine Catholic Church, Monastery Choir of St. John of San Francisco, Isauria | E Major | 1 | 12B | 72 BPM | ||
| Gloria in Excelsis | Eikona, Choirs Of Annunciation Byzantine Catholic Church, Monastery Choir of St. John of San Francisco, Isauria | A♭ Minor | 2 | 1A | 102 BPM | ||
| Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
| Sanctus: Omnes unanimiter | Anonymous, Anonymous 4 | A Minor | 1 | 8A | 77 BPM | ||
| Entrance: O Joyful Light | Choir of the Monks of Chevetogne | F Major | 1 | 7B | 178 BPM | ||
| Quomodo cantabimus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 77 BPM | ||
| Gaudete in Domino semper | Chœur des moniales Bénédictines de l'abbaye Notre-Dame d'Argentan, Denise Lebon | G Minor | 4 | 6A | 138 BPM | ||
| Introit in Shadow | Night Monastery | E♭ Minor | 1 | 2A | 106 BPM | ||
| 432Hz Peaceful Templar Chant | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | A Minor | 1 | 8A | 93 BPM | ||
| Gloriose virginis Marie | Leonel Power, La Reverdie | C Major | 6 | 8B | 144 BPM | ||
| Chorus Nocturnus Placidus | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Minor | 1 | 7A | 72 BPM | ||
| Oraculum Fidei Intimae | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Minor | 1 | 7A | 92 BPM | ||
| Üks roosike on tõusnud | Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Major | 1 | 9B | 100 BPM | ||
| Qui Manducat Hunc Panem | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Minor | 0 | 7A | 134 BPM | ||
| O Holy Theotokos - Coptic - Bohairic dialect | St. Marks Coptic Orthodox Church of Washington D.C Choir, Choirs Of Annunciation Byzantine Catholic Church, Christian Hymns Chaldean Assyrian Syriac Aramaic, Isauria | A♭ Minor | 0 | 1A | 81 BPM | ||
| Salve Regina : Glissade dans la neige | Moines Chartreux | D♭ Major | 3 | 3B | 94 BPM | ||
| Introit: Deus Israel | Bonaventure Choir | F Major | 0 | 7B | 81 BPM | ||
| Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
| Processio Aurorae | Choir Of St. Abuscus, Chants of Eternity | D Minor | 0 | 7A | 167 BPM | ||
| Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
| The Journeymans Pillar | Tallis Chamber Choir, Edinburgh Renaissance Band, The | E♭ Major | 1 | 5B | 88 BPM | ||
| Vespers Liturgy: III. Great Litany | Dobri Hristov, SOFIA ORTHODOX CHOIR, Miroslav Popsavov | D♭ Major | 0 | 3B | 133 BPM | ||
| We Adore You, O Christ | Richard T Proulx, The Compline Choir, Jason A. Anderson | G Major | 0 | 9B | 87 BPM |