Traditional, Jean-Pierre Rampal, Shinichi Yuize, Utae Uno, Yasuko Nakashima's ' "Sakura Sakura" was released on its scheduled release date, August 28, 1982. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Yamanakabushi: Japanese Melodies, Vol. III by Jean-Pierre Rampal. The song's track number on the album is #1 out of 13 tracks. Based on our data, United States was the country where this track was produced or recorded. Sakura Sakura is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Sakura Sakura by Traditional, Jean-Pierre Rampal, Shinichi Yuize, Utae Uno, Yasuko Nakashima has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Sakura Sakura being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adoramus te, Christe | Théodore Dubois, Vienna Chamber Choir, Michael Grohotolsky | C Major | 0 | 8B | 102 BPM | ||
| Aboriginal Lullaby | Traditional, Amy Dickson | B♭ Major | 0 | 6B | 73 BPM | ||
| Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM | ||
| God That Madest Earth and Heaven | The Choir of Trinity College, Melbourne, Michael Leighton Jones | G Major | 1 | 9B | 76 BPM | ||
| Light of a Clear Blue Morning (Live) | Bel Canto Choir Vilnius, Agnė Aleksejevaitė | C Minor | 1 | 5A | 132 BPM | ||
| Lo, How a Rose E’er Blooming, from Gaudete | Anders Ohrwall, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | G Major | 1 | 9B | 91 BPM | ||
| Totuuden henki | Traditional, SRK Instrumentaali | G Major | 1 | 9B | 67 BPM | ||
| Ecce panis | Cappella | G Major | 2 | 9B | 122 BPM | ||
| Ecce Agnus Dei | Choeur des moines de l'abbaye Notre Dame de Fontgombault, The Schola Cantorum of St. Peter's in the Loop, Lege Artis Chamber Choir, Father Michaels | E♭ Major | 2 | 5B | 67 BPM | ||
| Christ the Lord is Born Today, from Gaudete | Anders Ohrwall, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | G Major | 2 | 9B | 81 BPM | ||
| My Love’s an Arbutus | Mornington Singers | B♭ Major | 1 | 6B | 82 BPM | ||
| Béthléem | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | C Major | 0 | 8B | 79 BPM | ||
| Abide with me | William Henry Monk, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | E♭ Major | 1 | 5B | 130 BPM | ||
| Sanctum Numen | Choir Of St. Abuscus, Chants of Eternity | D Major | 0 | 10B | 67 BPM | ||
| Song 9 - Arr. for Vocal Ensemble by Patrick Dunachie | Orlando Gibbons, The King's Singers | D Major | 0 | 10B | 67 BPM | ||
| The Hallelujah Chorus | London Philharmonic Choir | D Major | 2 | 10B | 93 BPM | ||
| The Mass: Laudamus Te | Patrick Cassidy | D Minor | 1 | 7A | 83 BPM | ||
| Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 133 BPM | ||
| Adoramus te, Christe, IGP 3 | Giovanni Pierluigi da Palestrina, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 95 BPM | ||
| Ottsje Nasj | Slavisch Byzantijns Koor Zwolle, Jaap van der Boon | D Major | 2 | 10B | 166 BPM | ||
| Deep River | Negro Spiritual, Traditional, Trondheim Kammerkor | E♭ Major | 0 | 5B | 119 BPM | ||
| Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM | ||
| Of the Father's Heart Begotten | The Choir of Trinity College, Melbourne, Australian Chamber Brass, Jonathan Bradley, Michael Leighton Jones | E Major | 2 | 12B | 80 BPM | ||
| Adieu des bergers | Hector Berlioz, L'offrande lyrique | G Major | 4 | 9B | 83 BPM | ||
| Orbis in Silentio - Remix | Gregorian Chant, Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Hold Me Darkness, Lesiem | F♯ Minor | 1 | 11A | 133 BPM |