"A TRIBUTE TO N.J.P." by Ryuichi Sakamoto had its release date on March 25, 2015. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. A TRIBUTE TO N.J.P.'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Ongaku Zukan -2015 Edition-". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Japan. In terms of popularity, A TRIBUTE TO N.J.P. is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With A TRIBUTE TO N.J.P. by Ryuichi Sakamoto having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ESPERANCA PERDIDA / I WAS JUST ONE MORE FOR YOU- | Morelenbaum2, Ryuichi Sakamoto | D Minor | 1 | 7A | 114 BPM | ||
| Yellow | Miles Davis | E Major | 2 | 12B | 97 BPM | ||
| Komorebi at Madou Sugar Factory | Minyen Hsieh | A♭ Minor | 3 | 1A | 73 BPM | ||
| Kakashi | Yasuaki Shimizu | A Minor | 8 | 8A | 133 BPM | ||
| ブルー・メモリーズ | Masataka Matsutoya | G Major | 2 | 9B | 84 BPM | ||
| Opening Theme 〜オープニング(テーマ) | Ryuichi Sakamoto | E♭ Major | 1 | 5B | 143 BPM | ||
| How Vacantly You Stare at Me - 2013 Remaster | Harold Budd | A Minor | 1 | 8A | 69 BPM | ||
| Continuum 8 | Nala Sinephro | G Major | 2 | 9B | 104 BPM | ||
| Uoon II | alva noto, Ryuichi Sakamoto | C Major | 0 | 8B | 70 BPM | ||
| ブルー・スター | SHIGEO SEKITO | E♭ Major | 2 | 5B | 102 BPM | ||
| shipbuilding | Tomita Lab. | G Major | 3 | 9B | 108 BPM | ||
| Feelings And Things | Michael Gibbs | A Minor | 1 | 8A | 118 BPM | ||
| Schwarzes Pferd | Marcel Barsotti | E Minor | 4 | 9A | 108 BPM | ||
| Adagio - Remastered 2021 | Ryuichi Sakamoto | B♭ Minor | 1 | 3A | 82 BPM | ||
| unrest | Rei Harakami | D♭ Major | 5 | 3B | 170 BPM | ||
| Quasar | Herbie Hancock | C Major | 3 | 8B | 83 BPM | ||
| Angel Song | Kenny Wheeler, Lee Konitz, Dave Holland, Bill Frisell | A♭ Major | 1 | 4B | 76 BPM | ||
| Flying Mountain | 角銅真実 | C Major | 5 | 8B | 168 BPM | ||
| Beacons | 空間現代 | A Minor | 5 | 8A | 111 BPM | ||
| Perspective | Ryuichi Sakamoto | F Major | 1 | 7B | 77 BPM | ||
| Ryuichi Sakamoto: Tamago 2004 | Helena Basilova | F Major | 0 | 7B | 73 BPM | ||
| ザ・ミラージュ | Yoshio Chin Suzuki | A♭ Minor | 0 | 1A | 64 BPM | ||
| Drive My Car (Misaki) | Eiko Ishibashi | B Major | 2 | 1B | 129 BPM | ||
| Manatsu No Yo Ana | Ryuichi Sakamoto | A♭ Major | 0 | 4B | 134 BPM | ||
| Continuum 5 | Nala Sinephro | D Major | 1 | 10B | 168 BPM |