"Last Chance - Slowed Instrumental" by CHPTRS had its release date on September 21, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 11 in Chapter Three (Slowed) by CHPTRS. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Last Chance - Slowed Instrumental is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Last Chance - Slowed Instrumental by CHPTRS is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I AM NOT WHERE YOU LEFT ME! | normal the kid | A Major | 1 | 11B | 117 BPM | ||
| Back to 21 | Känti | A Major | 1 | 11B | 68 BPM | ||
| Cathedrals | John Lucas | A♭ Major | 6 | 4B | 129 BPM | ||
| Redwoods | Hayden Everett | D♭ Major | 4 | 3B | 110 BPM | ||
| You Are Mine (feat. Holley Maher) | Secret Nation, Holley Maher | D Major | 4 | 10B | 90 BPM | ||
| The Light in You | Pastis | A Major | 3 | 11B | 130 BPM | ||
| Eason | Davis John Patton | E♭ Major | 3 | 5B | 127 BPM | ||
| If I Could | CHPTRS | D♭ Major | 4 | 3B | 112 BPM | ||
| Daydreams | Reed Pittman | D Major | 4 | 10B | 88 BPM | ||
| Kingdom Come | The Neighborly | E Major | 3 | 12B | 101 BPM | ||
| Only This Matters | Ten Towers | C Major | 4 | 8B | 130 BPM | ||
| Waves on the Ocean (Instrumental Version) | The Neighborly | D♭ Major | 3 | 3B | 112 BPM | ||
| Bright Eyes | David Nevory | D♭ Minor | 4 | 12A | 82 BPM | ||
| Wildfire | Thomas LaVine | C Minor | 5 | 5A | 170 BPM | ||
| Driftwood Choir | Ed Prosek, Portair, Driftwood Choir | B♭ Major | 4 | 6B | 101 BPM | ||
| In Stone | Hills x Hills | B♭ Major | 5 | 6B | 97 BPM | ||
| Imagination | Searching for Light, STVN | C Minor | 7 | 5A | 150 BPM | ||
| Wherever I May Go (from Girl in the Basement) | Jake Etheridge, Stefanie Scott | G Major | 2 | 9B | 85 BPM | ||
| In My Heart | By The Coast | A♭ Major | 2 | 4B | 78 BPM | ||
| Seaside Eyes | Bertie Newman | B♭ Major | 0 | 6B | 72 BPM | ||
| Always | Black Match | D♭ Major | 2 | 3B | 94 BPM | ||
| You There | Aquilo | C Major | 2 | 8B | 77 BPM | ||
| Reborn | One Hundred Years | D Major | 3 | 10B | 140 BPM | ||
| Through the Fire | Jake Etheridge, Margot Todd | D Major | 2 | 10B | 148 BPM | ||
| Started with You | CHPTRS | D Major | 2 | 10B | 105 BPM |