- BPM
- 85
- Key
- F♯ Minor
- Camelot
- 11A
Swan Lake, Op. 20 by Tim Fain, Robert Koenig Song Details
Tim Fain, Robert Koenig's 'Swan Lake, Op. 20' had a release date set for September 1, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 22 out of 24 in First Loves by Tim Fain, Robert Koenig. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Swan Lake, Op. 20 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Swan Lake, Op. 20 by Tim Fain, Robert Koenig is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Music Key
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 27%
- Loudness
- -18.488 dB
- Acousticness
- 92%
- Danceability
- 22%
- Energy
- 15%
- Instrumentalness
- 20%
- Liveness
- 12%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 22%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Havanaise in E, Op. 83 | Tim Fain, Robert Koenig | D Minor | 1 | 7A | 136 BPM | |
 | Grand Duo: IV. Air | Lou Harrison, Tim Fain, Michael Boriskin | A♭ Major | 5 | 4B | 132 BPM | |
 | The Light Guitar: III. Fast | Patrick Zimmerli, Tim Fain | D Major | 0 | 10B | 73 BPM | |
 | Sonata for Horn and Piano, Op. 17: II. Poco Adagio, quasi (Version for Cello and Piano) | Ludwig van Beethoven, Jennifer Kloetzel, Robert Koenig | F Major | 0 | 7B | 77 BPM | |
 | Moving to the Ghetto Oct. 31, 1940 | Wojciech Kilar, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland, Hanna Wolczedska | A Minor | 0 | 8A | 101 BPM | |
 | Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. for Cello & Piano) | Christoph Willibald Gluck, Mischa Maisky, Pavel Gililov | B Minor | 1 | 10A | 66 BPM | |
 | Double Concerto for Violin, Cello and Orchestra: Duet No. 1 | Philip Glass, Wendy Sutter, Tim Fain, Jurjen Hempel, The Hague Philharmonic | A Minor | 1 | 8A | 66 BPM | |
 | Mistaken Identity | Tim Fain | A Major | 4 | 11B | 92 BPM | |
 | Estrellita | Manuel Ponce, Nikolaj Znaider | F♯ Major | 1 | 2B | 103 BPM | |
 | Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 76 BPM | |
 | Notturno in D Major, Op. 42: II. Adagio (Arr. W. Primrose for viola and piano) | Ludwig van Beethoven, Roberto Díaz, Robert Koenig | A Major | 0 | 11B | 113 BPM | |
 | Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre a ta voix" (Arr. for Cello and Piano by George Trinkaus) | Camille Saint-Saëns, Mischa Maisky, Lily Maisky | G Major | 1 | 9B | 87 BPM | |
 | Mancini: Moon River (From "Breakfast at Tiffany's") | Renaud Capuçon | C Major | 1 | 8B | 82 BPM | |
 | Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | |
 | Nyman: The Heart Asks Pleasure First | Michael Nyman, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | A Minor | 1 | 8A | 108 BPM | |
| Double Concerto for Violin, Cello and Orchestra: Part I | Philip Glass, Wendy Sutter, Tim Fain, Jurjen Hempel, The Hague Philharmonic | G Minor | 3 | 6A | 151 BPM | |
 | Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | |
 | Cats: Memory | Andrew Lloyd Webber, Jian Wang, Göran Söllscher | D Major | 0 | 10B | 86 BPM | |
 | Light (feat. Tim Fain) | Mae, Tim Fain | C Major | 0 | 8B | 73 BPM | |
 | Madama Butterfly, SC 74, Act II: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian | B♭ Major | 0 | 6B | 81 BPM | |
 | Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | |
 | Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 1 | 8B | 74 BPM | |
 | My Father's Violin, Solo Violin: Movement I Lonesome Valley | Joel Harrison, Wendy Sutter, Tim Fain | A Minor | 3 | 8A | 83 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Papa, Can You Hear Me? (From "Yentl") | Michel Legrand, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | A Minor | 1 | 8A | 96 BPM |
- ISRC
- US3CR1501163
- Label
- L-M Records/RCA Records