"Seven Veils to Midnight" by Al Conti had its release date on October 7, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Scheherazade". In this album, this song's track order is #4. Seven Veils to Midnight is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seven Veils to Midnight by Al Conti having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Time To Heal | Patrick Kelly | G Major | 2 | 9B | 110 BPM | ||
| Mountain Echoes | Isabella Rix | C Major | 2 | 8B | 75 BPM | ||
| A Night to Remember | Peter Sterling | D♭ Minor | 4 | 12A | 122 BPM | ||
| Well Earned Rest | Ridge McKenna, Adrian Schmidt | C Major | 1 | 8B | 89 BPM | ||
| All I Can Do | Jhon Mitchell | E Major | 2 | 12B | 148 BPM | ||
| Deep Blue | Green Sun | A Major | 2 | 11B | 160 BPM | ||
| Lady's Grace | Kerani | A♭ Minor | 3 | 1A | 168 BPM | ||
| Inflamed With Passion | Ginkgo Garden | D Minor | 5 | 7A | 107 BPM | ||
| Serenity | Jordi Tanya | A Major | 2 | 11B | 64 BPM | ||
| Silk and Jasmine | Al Conti | B Major | 1 | 1B | 110 BPM | ||
| The Blue Rose | Al Conti | C Major | 3 | 8B | 130 BPM | ||
| The Piano in the Valley | Laurent Denis | C Major | 1 | 8B | 89 BPM | ||
| Preparing the Way | Herrin | B♭ Minor | 1 | 3A | 115 BPM | ||
| From the Outside | Fiona Joy Hawkins | G Major | 2 | 9B | 112 BPM | ||
| Last Suitor | Al Conti | E Minor | 3 | 9A | 169 BPM | ||
| The Brighter Side Chapter 1 | Mike Rowland | D♭ Minor | 7 | 12A | 110 BPM | ||
| Eternal Majesty | Al Conti | C Major | 4 | 8B | 160 BPM | ||
| The Future Is Beautiful | Daniel Kobialka | G Major | 0 | 9B | 76 BPM | ||
| Sirius of Atlantis | Ananda Frequencies | C Major | 1 | 8B | 89 BPM | ||
| Atonement (New Chill Out Mix) | Kevin Wood | E Major | 2 | 12B | 137 BPM | ||
| Circle's Edge | Tim Wheater | G Major | 2 | 9B | 95 BPM | ||
| Diving In | Michael Ramjoué | E Minor | 3 | 9A | 81 BPM | ||
| Caelestes | Gavia | E♭ Major | 3 | 5B | 146 BPM | ||
| Silent Riverbend | Sound of Aire | C Major | 1 | 8B | 89 BPM | ||
| Verre Fumé | Lumenvale | F Minor | 5 | 4A | 170 BPM |