Jillian Cardarelli's 'Could've Been Boy' had a release date set for May 26, 2023. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Could've Been Boy's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 2 in Could've Been Boy by Jillian Cardarelli. The popularity of Could've Been Boy is currently below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Could've Been Boy by Jillian Cardarelli is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Move On | Mary Sarah | E Major | 7 | 12B | 106 BPM | ||
| Bad Whiskey | Faren Rachels, Ashland Craft | E♭ Major | 5 | 5B | 139 BPM | ||
| Empty Parts | Kayley Bishop | B♭ Major | 3 | 6B | 112 BPM | ||
| Heard That | Baylee Lynn | C Major | 8 | 8B | 172 BPM | ||
| Midnight Headlights | Prior Noon | A Major | 9 | 11B | 146 BPM | ||
| You Think You Know Someone | July Moon | G Major | 8 | 9B | 75 BPM | ||
| I Can't Write You A Love Song | Nick Walker | D Minor | 6 | 7A | 80 BPM | ||
| Top Off | Charly Reynolds | G Major | 8 | 9B | 186 BPM | ||
| Pretty Don't Cry | Innertwine Music | G Major | 6 | 9B | 77 BPM | ||
| Dandelions | Annie Bosko | C Major | 4 | 8B | 83 BPM | ||
| You Heard Right | Lexie Hayden | A♭ Major | 6 | 4B | 152 BPM | ||
| Crossroad Springs | Jillian Cardarelli | D♭ Major | 9 | 3B | 125 BPM | ||
| If He Asks | Jillian Cardarelli | D Major | 7 | 10B | 95 BPM | ||
| Stubborn | Mary Sarah | A Major | 6 | 11B | 176 BPM | ||
| He Gone | Annie Bosko | B♭ Major | 9 | 6B | 113 BPM | ||
| King & Queen Of Recklessness | Callie Twisselman | D♭ Minor | 6 | 12A | 77 BPM | ||
| The Woman That I Am | Addie Pratt | G Major | 7 | 9B | 122 BPM | ||
| Still Make Cowgirls | Karli June | G Minor | 8 | 6A | 144 BPM | ||
| Hope in the Scars | Tiona Campbell | A Major | 5 | 11B | 74 BPM | ||
| I Can't | Taylor-Rae | D Major | 9 | 10B | 96 BPM | ||
| In My World | Callie Twisselman | C Major | 8 | 8B | 172 BPM | ||
| Accidents Happen | Belles | B♭ Major | 8 | 6B | 113 BPM | ||
| Everyday Everything | Jennifer Elizabeth | F Major | 8 | 7B | 120 BPM | ||
| Pretty Much | HunterGirl | B Major | 9 | 1B | 117 BPM | ||
| Thinking and Driving | Jillian Cardarelli | D♭ Major | 7 | 3B | 110 BPM |