Jane Russell's 'A Hundred Years from Today' had a release date set for March 8, 2011. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "Sex Symbol - Jane Russell". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Sweden. Based on our statistics, A Hundred Years from Today's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Hundred Years from Today by Jane Russell having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| October Twilight | Steve Conway | C Major | 2 | 8B | 81 BPM | ||
| Yes, Indeed! - Remastered | Lyn Murray Orchestra, The Hollywood Christians, Beryl Davis, Connie Haynes, Jane Russell | F♯ Major | 3 | 2B | 82 BPM | ||
| My Love Song To You | Bob Manning | D Major | 2 | 10B | 69 BPM | ||
| A Ghost of a Chance - Alternate Take | Lee Wiley | G Major | 2 | 9B | 114 BPM | ||
| Almost in Your Arms | George Duning Orchestra, Sophia Loren | G Major | 2 | 9B | 82 BPM | ||
| Music, Maestro, Please! | Tommy Dorsey & Edythe Wright | F Major | 1 | 7B | 120 BPM | ||
| Just Like A Dream | Morrie Morrison Orchestra | C Minor | 3 | 5A | 80 BPM | ||
| Until the Real Thing Comes Along | Fats Waller | E♭ Major | 3 | 5B | 99 BPM | ||
| Till The Lights Of London Shine Again | Joe Loss & His Orchestra | C Major | 1 | 8B | 117 BPM | ||
| Dancing in the Dark | Bea Wain | G Major | 2 | 9B | 114 BPM | ||
| Let The Light Shine On Me - Remastered | Lyn Murray Orchestra, The Hollywood Christians, Beryl Davis, Connie Haynes, Jane Russell | C Minor | 6 | 5A | 129 BPM | ||
| Anyone Can See I Love You | Marilyn Monroe | D♭ Major | 10 | 3B | 92 BPM | ||
| If You Want the Rainbow | Lee Morse | G Major | 2 | 9B | 114 BPM | ||
| I'll Always Hold Your Hand | Connie Conway | E♭ Major | 1 | 5B | 76 BPM | ||
| I'll See You Again | Noel Coward | G Major | 2 | 9B | 114 BPM | ||
| I Called to Say Goodnight | Nick Lucas | G Major | 2 | 9B | 114 BPM | ||
| Dreaming in Your Embrace | Playing From Another Room | F Minor | 4 | 4A | 74 BPM | ||
| A Stranger In Town | Martha Tilton, Eddie Miller | A♭ Major | 1 | 4B | 75 BPM | ||
| The Wrong Kind of Love | Jane Russell | F Major | 2 | 7B | 65 BPM | ||
| Fools Rush In (Where Angels Fear To Tread) | Frank Sinatra, Tommy Dorsey Orchestra | G Minor | 2 | 6A | 108 BPM | ||
| What Is This That I Feel? | Jane Russell | G Major | 2 | 9B | 114 BPM | ||
| Take My Heart | Carroll Gibbons, The Savoy Hotel Orpheans | G Minor | 5 | 6A | 98 BPM | ||
| Walkin' By the River | Una Mae Carlisle | G Major | 2 | 9B | 114 BPM | ||
| Moon Song | The McGuire Sisters | B♭ Major | 2 | 6B | 82 BPM | ||
| I Don't Want to Walk Without You | Harry James | B♭ Major | 3 | 6B | 86 BPM |