Nanda's ' "Nanda Commentary 1" was released on its scheduled release date, February 4, 2011. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jaidev's "Hum Dono Rangeen (Original Motion Picture Soundtrack)" album is number 9 out of 13. On top of that, India appears to be the country where this track was created. Nanda Commentary 1 is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Nanda Commentary 1 by Nanda to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Surmayee Ankhiyon Mein - Happy Version | Ilaiyaraaja, K. J. Yesudas | F♯ Minor | 4 | 11A | 96 BPM | ||
| Aayee Zanjeer Ki Jhankar, Pt.2 | Kabban Mirza, Jan Nisar Akhtar | E♭ Major | 7 | 5B | 92 BPM | ||
| Aake Seedhi Lage Dil Pe Jaise (From "Half Ticket") | Kishore Kumar | C Major | 7 | 8B | 78 BPM | ||
| Sunayanasunayana - Aa In Nazaron Ko Tum | K. J. Yesudas | E Minor | 5 | 9A | 141 BPM | ||
| Gaune Ki Raat | Rampat, Rani Bala, Purnima, Nanda | G Major | 5 | 9B | 92 BPM | ||
| Tare Asmaan Ke Dharti Pe | Sadhana Sargam | G Major | 8 | 9B | 112 BPM | ||
| Batata Wada | S. Janaki, S. P. Balasubrahmanyam | D♭ Major | 9 | 3B | 115 BPM | ||
| Kitna Badal Gaya Insaan - Dekh Tere Sansar | Pradeep Kumar | F♯ Major | 5 | 2B | 68 BPM | ||
| Kismat Ke Khel Nirale Mere Bhaiya | Ravi | G Major | 4 | 9B | 183 BPM | ||
| Chup Gaye Sare Nazare | Lata Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal | E♭ Minor | 5 | 2A | 80 BPM | ||
| Laila Majnu Do Badan Ek Jaan The | Rajkumar Rizvi, Anuradha Paudwal, Preeti Sagar | F Major | 5 | 7B | 151 BPM | ||
| Fakira Chal Chala Chal, Pt. 2 | Mahendra Kapoor | A Major | 5 | 11B | 99 BPM | ||
| Khal Nayak Hoon Main | Kavita Krishnamurthy, Vinod Rathod, Ila Arun | A♭ Major | 8 | 4B | 80 BPM | ||
| Khushiyon Ka Din Aaya Hai | Anuradha Paudwal | A♭ Major | 4 | 4B | 81 BPM | ||
| Main Pal Do Pal Ka Shair Hoon With Dialogue By Amitabh | Amitabh Bachchan, Mukesh | F Major | 4 | 7B | 129 BPM | ||
| Tumse Bana Mera Jeevan | Mohammed Aziz, Anuradha Paudwal | A Major | 8 | 11B | 113 BPM | ||
| Sar Par Topi Lal | Asha Bhosle, Mohammed Rafi | G Major | 6 | 9B | 89 BPM | ||
| Doli Leke Aa | SwareshAditya, Nanda | D Major | 3 | 10B | 93 BPM | ||
| Madhuban Khushboo Deta Hai - Duet | K. J. Yesudas, Anuradha Paudwal | D♭ Major | 4 | 3B | 126 BPM | ||
| Kuch Log Rooth Kar Bhi | Ahmed Rushdi | C Major | 7 | 8B | 120 BPM | ||
| Main Hoon Prem Rogi | Suresh Wadkar, Laxmikant–Pyarelal | E Minor | 8 | 9A | 157 BPM | ||
| Tu Mungada Mungada | Usha Mangeshkar | D♭ Minor | 6 | 12A | 100 BPM | ||
| Kahin Pe Nigahen Kahin Pe Nishana | O. P. Nayyar, Majrooh Sultanpuri | E♭ Major | 3 | 5B | 106 BPM | ||
| Hanste Hanste Kat Jaye Raaste (From "Khoon Bhari Maang") | Nitin Mukesh, Sadhana Sargam | G Minor | 5 | 6A | 105 BPM | ||
| Sun Sun Sun Didi | Asha Bhosle | A Major | 6 | 11B | 183 BPM |