"Three Divertimenti for String Quartet: II. Waltz, Allegretto" by Benjamin Britten, Piatti Quartet had its release date on September 28, 2018. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 14 in Albion Refracted by Piatti Quartet. Three Divertimenti for String Quartet: II. Waltz, Allegretto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Three Divertimenti for String Quartet: II. Waltz, Allegretto by Benjamin Britten, Piatti Quartet is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 5 in D Major: III. Romanza: Lento | Ralph Vaughan Williams, Bournemouth Symphony Orchestra, Kees Bakels | D♭ Minor | 1 | 12A | 92 BPM | ||
| Divertimento for Strings, BB 118 (Sz.113): II. Molto adagio | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
| Requiem in D Minor, Op. 48: Libera me | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | B♭ Major | 1 | 6B | 175 BPM | ||
| Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
| Trauermusik | Paul Hindemith, Kim Kashkashian, Dennis Russell Davies, Stuttgart Chamber Orchestra | E Minor | 1 | 9A | 99 BPM | ||
| Mass in B Minor, BWV 232: Dona nobis pacem | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 2 | 3B | 135 BPM | ||
| Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A Major | 0 | 11B | 88 BPM | ||
| Sous-bois | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D♭ Major | 1 | 3B | 80 BPM | ||
| The Firebird, K10, 1919 Suite: I. Introduction | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | G Minor | 0 | 6A | 85 BPM | ||
| Piano Concerto No. 3, Sz. 119: II. Adagio religioso | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
| Tone Poems: Träumerei am Kamin | Richard Strauss, Orchestre Philharmonique De Strasbourg, Marc Albrecht | A♭ Major | 1 | 4B | 111 BPM | ||
| Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | B Major | 0 | 1B | 119 BPM | ||
| Romeo and Juliet, Op. 64, Act IV: No. 52, Death of Juliet | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | E Minor | 1 | 9A | 71 BPM | ||
| Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
| 5 Preludes: No. 4, Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 76 BPM | ||
| Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, Metamorphose String Orchestra, Pavel Lyubomudrov | C Major | 2 | 8B | 175 BPM | ||
| La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
| Symphony in E Minor, Op. 32, "Gaelic Symphony": IV. Allegro di molto | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 2 | 9A | 117 BPM | ||
| Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, London Symphony Orchestra, Sir Charles Mackerras | A Minor | 0 | 8A | 113 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Eine Alpensinfonie: X. Nacht | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 86 BPM | ||
| Variations on a theme of Frank Bridge, Op.10: 7. Wiener Waltzer | Benjamin Britten, English Chamber Orchestra | C Major | 1 | 8B | 98 BPM |