Tapsiram Rathod's ' "Ketikoyi Cheni Kamjor Rebhiya" was released on its scheduled release date, May 13, 1999. This song is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The track order of this song in Tapsiram Rathod's "Garibero Beta Khadkoni Kharo" album is number 2 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Ketikoyi Cheni Kamjor Rebhiya is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ketikoyi Cheni Kamjor Rebhiya by Tapsiram Rathod to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ha Gulab Mala Aanun Dilay R | Kishor Jawale, Ashish Shinde | D♭ Minor | 9 | 12A | 105 BPM | ||
| Nauvari | Bela Shende, Dr. Vivek Ingle, Pankaj Warungase | F Major | 7 | 7B | 130 BPM | ||
| Sai Ni Bolavlay | Jagdish Patil, Tanuja Belote | A Minor | 9 | 8A | 82 BPM | ||
| Sonila Mumbai Dakhwa | Bunty Patil, Ravi Baghat, Vidya Dadhavkar | D♭ Major | 9 | 3B | 174 BPM | ||
| kattakondi basinga | SHRIMANTH PATIL, Bsavraj Narendra | B Minor | 7 | 10A | 83 BPM | ||
| Shuruvaagide | Suresh Wadkar, Hrudaya Shiva | F Major | 6 | 7B | 118 BPM | ||
| M Deewani Chu Taar | Shahin Shaikh, M Farukh Shaikh, Sonu Rathod | D♭ Major | 6 | 3B | 170 BPM | ||
| Kale jeri shodi samjaan | Vaishali Samant, Tapsiram Rathod | B♭ Minor | 5 | 3A | 78 BPM | ||
| Naita urri khursi re daisni | Vaishali Samant, Tapsiram Rathod | B Major | 9 | 1B | 114 BPM | ||
| Kharanch Ghalto Haluhalu | Milind Shinde | G Major | 5 | 9B | 118 BPM | ||
| Mari Jasu Mi | Bhaiya More, Rohit Sonawane | D♭ Major | 7 | 3B | 120 BPM | ||
| Chandni Raat Ma Tu Mhara Saath | Anandilal Bhavel | A♭ Major | 6 | 4B | 88 BPM | ||
| SOMVATI AMAVASYA LA JAYACH JEJURILA | Prachi Surve | D♭ Major | 7 | 3B | 100 BPM | ||
| Ma rangili naar | Tapsiram Rathod, Tukaram Rathod, Subhash Rathod, Paul Singh Rathod, Nandu Rathod, Vyankant Rathod, Damji Rathod, Kamla Rathod | A Major | 8 | 11B | 72 BPM | ||
| Jodi Julali Swargat | Harshavardhan Wavare, Aarya Ambekar, Tanmay C. Patekar24 | E Major | 8 | 12B | 163 BPM | ||
| Jayanti Babachi | SHIVANI BURDE | F Minor | 9 | 4A | 92 BPM | ||
| Palkhi Nighali Navi Mumbaichi | Dravesh Patil | A Major | 7 | 11B | 90 BPM | ||
| Baba Ramdevji Aarati | Prakash Mali | A♭ Major | 8 | 4B | 91 BPM | ||
| Yeke Helade Hode | Abhimann Roy, Sri Mahesh Gowda | C Major | 6 | 8B | 94 BPM | ||
| Ven Navleri | Anil Chavhan | F♯ Major | 9 | 2B | 79 BPM | ||
| Baya Ghumuya Baya Kheluya | Ashish Mhatre, Sapna Patil | D♭ Major | 9 | 3B | 115 BPM | ||
| Sastee Lavalee Ze Ra Sayaba | Uttara Kelkar, Kavita Shinde, Eknath Mali, Shashikant Mumbare, Ganesh Bhagat | D♭ Major | 9 | 3B | 175 BPM | ||
| Kalindar Ke Beeja | Nilkamal Vaishnav | E♭ Major | 9 | 5B | 136 BPM | ||
| Navleri Tona Banau Ye | Shahin Shaikh, Ramrao Rathod | A♭ Major | 8 | 4B | 155 BPM | ||
| Chutkibhar Sindoor | Prasanna Shanbhag, Pranav Haridas, Hrishikesh Ranade | B Major | 5 | 1B | 87 BPM |